Archive for October, 2009

Brom on The Child Thief

The Child Thief

The Child Thief: The Novel

A few months back, a preview copy of Brom‘s The Child Thief: A Novel arrived at my house. As described by the publisher, Eos (An Imprint of HarperCollinsPublishers), the novel is “a spellbinding re-imagining of the beloved Peter Pan story that carries readers through the perilous mist separating our world from the realm of Faerie. As Gregory Maguire did with his New York Times bestselling Wicked novels, Brom takes a classic children’s tale and turns it inside-out, painting a Neverland that, like Maguire’s Oz, is darker, richer, more complex than innocent world J.M. Barrie originally conceived. An ingeniously executed literary feat, illustrated with Brom’s sumptuous artwork, The Child Thief is contemporary fantasy at its finest—casting Peter Pan, the Lost Boys, even Captain Hook and his crew in a breathtaking new light.” Brom was kind enough to do an email interview with me about the book. My thanks for his time and to HarperCollins’ Pamela Spengler-Jaffee for helping to arrange the interview.

Tim O’Shea: I minored in folklore back in college, so I know of the original unsanitized Grimm’s Fairy Tales. Is that the kind of tone, along with the “dark undertones” of Barrie’s original Peter Pan (as you referenced to it in the book’s advance press), you were aiming for in The Child Thief?

Brom: I loved the old Fairy Tales, which were usually devised as cautionary tales, stories in which bad things happened to children who didn’t listen to their elders. There is certainly plenty of those dark undertones in the Child Thief. But my real fascination lay in peeling back Jame’s Barries lyrical prose and portraying the Peter Pan story in a gritty realistic light.

O’Shea: In the back of the book you acknowledge the influence of Irish, Welsh, Scottish and English folklore on the tale. How much of the folklore did you know from growing up and how much did you learn it through research in more recent years?

Brom: I’ve always had a love of folktales, myths, and legend, so was aware of most of it. I knew I didn’t want to simply retell Barrie’s Peter Pan, but instead create my own Peter, my own world, the darker story behind the fairy tales, so I began to dig into the same myths and legends that originally inspired James Barrie himself and was delighted to find so many connections.

Read the rest of this entry »

, , , , , , , , , , ,

No Comments

John Williams on The Second Pass

second-pass

The Second Pass

I love books and I greatly admire people that write effectively about one’s love of good books.  The Second Pass (“an exclusively online publication devoted to reviews, essays, and blog posts about books new and old“) is the kind of concept I wish I had developed and that is overflowing with people that write effectively about books. After visiting the publication for awhile, I contacted the site’s founder and editor, John Williams, to garner a better understanding of what he’s trying to achieve. The site just celebrated its sixth month of existence and Williams entertained a series of questions from me. Williams’ career path to The Second Pass includes the following details: “From 2001-2007, he worked in the editorial department at HarperCollins. Before that, he spent time as a journalist in Texas and an editorial intern at Harper’s Magazine. His work as a freelance writer has appeared in Slate, McSweeney’s, Stop Smiling, the Austin American-Statesman, the Dallas Morning News, the New York Sun, and other publications.” My thanks to Williams for his time and for shepherding a site worthy of my jealousy.

Tim O’Shea: With six months of the site under your belt, what do you consider to be some of the successes and missteps of the site to date?

John Williams: I feel like the site overall has been a success. I’m proudest of the way people have responded to it, both general readers and people in the publishing business. The vast majority of the feedback I’ve received has been positive. I guess the most specific success was the “Fired from the Canon” feature, which hit a nerve with people and spread far and wide.

The missteps have been mercifully small (in terms of how public they are). For instance, I started the site with confidence that I could get material rolling in as I went, and that was a mistake. I should have had more “inventory” at the start. I feel like I’ve been playing catch-up in order to keep the site refreshed on a regular basis, though that’s finally starting to change. I guess another misstep would be my desire to have a “Letters” page, as a way of nodding to the tradition of letters to the editor. That’s been a bust, and I put a comments function up on the blog instead. I’m still trying to figure out what to replace “Letters” with, so the heading remains up on the nav bar for now — useless, like an appendix.

Read the rest of this entry »

, , , , , , , , , ,

1 Comment

John Drew on The Chronic Rift

The Chronic Rift

The Chronic Rift

A few months back I was researching an upcoming interview with writer Keith R.A. DeCandido. And in doing my research, I found out DeCandido was involved with a pop cultue podcast, The Chronic Rift. As a podcast, the show is only a year old, but it’s beginnings date back to the early 1990s (with a public access TV show about “fantasy, science fiction, and other genres.”) After downloading a few episodes for my Ipod and immensely enjoying them, I contacted the original creator/podcast producer John Drew and email interviewed him about the show. The Chronic Rift recently joined Mevio (“an online video and audio network for episodic entertainment”), so we get to discuss that development among other engaging topics.

Tim O’Shea: How did the Mevio deal come about?

John Drew: Well, they approached us saying that they liked what they heard and wanted to know if we were interested. I’d heard of Mevio, but I always thought they were more focused on their video content as that’s what you see when you first visit the website. Upon further examination, I saw everything they had to offer in the form of file space and bandwidth; it really seemed like a no-brainer. We haven’t begun any actual advertising on the show yet as we’re still waiting for advertiser approval of our overall show (They don’t dictate content, but they get first refusal of the overall show.), but the advertisers are major brand names and the ones I’ve asked to work with will mesh nicely with the show.

Read the rest of this entry »

, , , , , , , , , , , ,

No Comments