Archive for June, 2010

Another Reason to Love New York

The Temporary Greening of a Street

Joey Manley is a writer and businessman who I interviewed many, many years ago for a long-dead comic book website. Manley is a smart fellow, and I enjoy reading his tweets on Twitter. But for some reason, I never had checked out his blog…until today.

Recently Manley blogged about his walk to work in New York, along West 28th Street. You need to go to read Manley’s experience first-hand. It’s one of those “only in New York” experiences. His photos and text must be appreciated in total at his site, but here’s a snippet:

“Some days, lilacs followed by cedars followed by tea roses followed by random vines. It’s like a narrow sidewalk-sized botanical garden that changes every morning. One of New York’s small pleasures.”

If that’s not enough to spark your interest, Manley covers a broad range of pop culture topics on a regular basis. I look forward to reading more of his Netflix Diaries entries.

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Chelsea Crowell on Solo Music, Jane Only

I broaden my musical knowledge in various ways. In the case of Chelsea Crowell, I found out about her music via Twitter. I recently e-mail interviewed Crowell on the eve of her entering the studio to record her second solo effort (she entered the studio on June 8). Her first solo effort, Chelsea Crowell (also available from Amazon and on iTunes), was released last year, while her earlier collaborative band effort, Jane Only (also available from Amazon and on iTunes), was released last month (both from Cleft Music). Before jumping into the interview, here are snippets from her bio: “Chelsea Crowell is an American songwriter, singer, artist and author. She has lived in New York, Baltimore, Memphis, Charleston, Colorado and Nashville. Having grown up in a musical family, she began writing and playing guitar as a teenager …  Her real start in music began when she moved back to Nashville in 2004 with guitarist, Stephen Braren. They lived together on the top floor of a now bulldozed, pre war walk up apartment building on 31st Ave called Maberta. It had a clear view of the Nashville skyline at the time. It was there they would shoot fireworks from the window towards the Parthenon but always hitting the neighbors across the street. The two eventually formed the band “Jane Only” with Lincoln Kaufman. The group became Stephen, Chelsea, Marty Linville and Fletcher Bangs Watson the Sixth …  In ’08, Chelsea began her first solo project with producer and fellow generational conduit, Loney John Hutchins.  … Originally meant to be an experiment while band mate Braren was on tour with band, Cheap Time, by early ’09 a full length record had taken form. It is being released on vinyl, cd, and online through Hutchins’ Cleft Music imprint … She is currently working on an opera as well as her sophomore record.” My thanks to Cleft Music‘s Hutchins for putting me in contact with Crowell, and to Crowell, most importantly, for her valuable time and thoughts.

Tim O’Shea: What was the inspiration for “Where the Hell is Robert E. Lee” (Cut 10 from your solo release)?

Chelsea Crowell: Aside from being from the south and having a bit of an American civil war history fetish, I wanted to write a song that was historically accurate. Aside from the line in the song about Sal T, who was my ancestor Sal Taylor Willoughby, the song can be fact checked. I have a note book of biography songs I wrote that I hope to make an entire record of when I am done with the projects I am working on now. For the sake of my first debut album, there was plenty of love-lorn-lost and low down emotion, so it was between ‘Robert E Lee’ or a song about ‘typhoid Mary’ just to throw off the singular heartbreak. The civil war was a different sort of heartbreak.

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In Defense of Country Music

Buddy & Julier Miller: Written in Chalk

Buddy & Julier Miller: Written in Chalk

The other day on Facebook, I ran across a friend of a friend explaining how they could not understand or appreciate country music. And several other friends agreed with them. Despite my title, I’m not going to defend country music, or defend Americana or however folks want to label the music that I currently enjoy.

Instead I will merely direct you to Buddy and Julie Miller’s website. More exactly, I will direct you to Julie Miller’s lyrics from Long Time, the fifth cut on last year’s release, Written in Chalk.

CARDS AND LETTERS MEANT TO BRING CHEER
NOW BRING ME SORROW, NOW BRING SUCH TEARS
THE WORDS FELL OFF THE PAPER
SO I’M GONNA SWEEP AWAY EACH LINE
BUT IT’S GONNA TAKE A LONG, LONG TIME

STREETLIGHT STANDIN’ ALONE ALL NIGHT IN THE RAIN
SHININ’ FOR NO ONE, SHININ’ ALL IN VAIN
I’M GONNA STOP WASTING MY LOVE LIKE THIS BECAUSE IT’S A CRIME
BUT IT’S GONNA TAKE A LONG, LONG TIME

CALL THE DOCTOR WHEN YOUR BODY HURTS
BUT WHEN THE PAIN IS IN YOUR SOUL, HEY MAN NOTHIN’ WORKS

SMOKE FROM A CIGARETTE COMING UNDERNEATH MY DOOR
JUST LIKE YOUR MEMORY SNEAKIN’ UP ON ME SOME MORE
I’M GONNA BE ALL RIGHT AND LEAVE THIS HEARTACHE BEHIND
BUT IT’S GONNA TAKE A LONG, LONG TIME

LIPSTICK ON A GLASS
SOMEBODY WANTS TO LOOK PRETTY
AND WANTS TO FORGET THE PAST
SOMEDAY THESE TANGLED THOUGHTS ARE GONNA ALL UNWIND
BUT IT’S GONNA TAKE A LONG, LONG TIME

No matter the music, one cannot deny how lovely those lyrics are.

NOW BRING ME SORROW, NOW BRING SUCH TEARS

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James Comtois on The Little One

Nosedive Productions' The Little One

Growing out of my recent Crystal Skillman interview, I learned about playwright James Comtois‘ upcoming production of The Little One (opening June 18 [after a June 17 preview] and running through to July 10 at New York/East Village’s Kraine Theater [85 East 4th Street). As described at the Nosedive Production site:  “Cynthia, a fledgling vampire, is taken under the wing of a more venerable one, Marie. Marie tries to teach Cynthia how to hunt, be merciful towards humans and make the most out of immortality. However, like all rebellious children, Cynthia intends to carve out her own path.” My thanks to Comtois for talking to me about the play in this email interview, as well as discussing the 10th anniversary of the theater company (a company with the motto of “Theatre for Sick Little Monkeys”) that he co-founded.

Tim O’Shea: Vampires are a frequently explored theme in movies, plays, novels and music–how did you decide to approach the subject in a way that makes it stand out from the current Twilight-happy trend (Given that as you noted several months back:  “My goal was (is) to make the main characters interesting, sympathetic and (in their own way) likable, but periodically remind the readers/viewers that if they were to hypothetically meet any of these characters, they’d be running for their lives, crying and screaming.”)

James Comtois: Well, making The Little One different from Twilight was pretty easy, since not only am I not very familiar with the Twilight franchise, but from what I hear, I’m not very interested in changing that. My interest level in exploring the vampire as a metaphor for unrequited young love or abstinence is at about zero.

In a lot of ways, the vampires in The Little One are very traditional. They drink blood. They stink of death. Some of them get off on terrorizing humans. They’re the stuff of nightmares.

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Ira Marcks on His Illustrative Score

A few months back, Ira Marcks, a New York-based cartoonist, contacted me about his recent collaboration with Jake Lodwick (the founder of Vimeo) regarding an experimental illustration/animation project featuring music composed by The Few Moments. Before or after you read this email interview with Marcks about the project, I invite you to watch the score (embedded below) as its an ambitious and intriguing concept on many levels. Now on with the interview (and my thanks to Marcks for contacting me in the first place).

MARCH 3 from Jake Lodwick on Vimeo.

Tim O’Shea: Among the three main factions in this project, Jake Lodwick, The Few Moments and yourself–whom approached whom about this project. How did you settle upon the term “illustrative score” for the project?

Ira Marcks: The process began with The Few Moments making a record called “March 3″ for Jake Lodwick. At the time (2008) Jake had a record label called Normative through which he would release music by his artists in unconventional ways. The idea for this release was to have the music be accompanied by “one long, scrolling illustration”. Those are Jake’s words. It’s all the direction I was really given on the project. First thing that came to mind was Trajan’s Column in Rome. It’s covered from bottom to top in a bas-relief that scrolls around the column and tells the story of an ancient war. I imagined this project would be something of an automated version of that concept.

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