Archive for category Film

Interview to Read: T Bone Burnett

O Brother, Where Art Thou

I did not realize until reading this  T Bone Burnett  interview, but there’s been a re-release of the O Brother, Where Art Thou soundtrack, a two-disc edition in fact. But thanks to this No Depression interview, my ignorance of the release ended. I have to tip my hat to No Depression for the interview contest they held. Readers that submitted questions for Burnett, that he picked, would win a copy of the re-released special edition soundtrack.  And the website’s readers brought some quirky and informed questions to the mix.

It’s hard to pick my favorite interview snippets. The fact that he once worked in the studio with Christopher Guest, Harry Shearer, and Michael McKean? Maybe. But I think this non-Townes Van Zandt connection really alarmed me (in a good way).

“I will say that he did most of his recording at Sound Emporium where we have done most of our recording in Nashville including O Brother, Where Art Thou? I’ve seen at least an album of unreleased multitracks in the tape locker.  I hope those will see the light one of these days. I’d be more than happy to help that happen.”

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Actor Jonathan Kite on CBS’ 2 Broke Girls

Article first published as An Interview with Actor Jonathan Kite of CBS’ 2 Broke Girls on Blogcritics. It is timely that the interview re-runs today, given that CBS announced it ordered a full season of the sitcom. Congrats to Kite and the cast.

Jonathan Kite

This Monday, September 19, marks the premiere of the new CBS comedy, 2 Broke Girls. In anticipation of the new series, actor Jonathan Kite (who plays the role of Oleg the Russian cook) took some time to discuss his character and his interaction with the cast. The basic premise of the show, as described by CBS, is “a new comedy about two girls who form an unlikely bond over having no money and no shame”. In addition to discussing the new CBS comedy, Kite provides details about his work-in-progress (as writer, producer and star) the feature film, The Walk On. I enjoyed getting a flavor of Kite’s sense of humor, particularly with his last answer.

What was it about the show’s script and/or its producers that prompted you to audition for the role of Oleg the Russian cook?

I have been a fan of Michael Patrick King and Whitney Cummings for a while, so when I found out they were doing a show together, I really focused on becoming a part of it.

How much guidance did you get from the writers and producers on how to approach Oleg, and/or were you given the freedom to shape the character somewhat?

Oleg is a good mix of incredible writing and bold choices. I’ve been given tons of freedom, which is always honed by the show’s creative teams.

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Actress-Producer Camille Mana

Article first published as An Interview with Actress-Producer Camille Mana on Blogcritics.

Camille Mana

October is going to be a busy month for actress-producer Camille Mana. First up, she has a supporting role in the feature film Norman, which opens in theatres on October 21. She plays Helen Black, a unique high school classmate who has a crush on Norman (played by Cougar Town‘s Dan Byrd). Secondly, she will appear in actor/playwright Jesse Eisenberg’s new Off-Broadway play Asuncion, which opens October 27 at the historic Cherry Lane Theatre (directed by Kip Fagan and produced by The Rattlestick). To mark the launch of these two latest projects, Mana was kind enough to do an email interview, where we also discuss her plans for new projects allowing her to pursue additional writer-producer opportunities as well as her additional upcoming film releases.

How many pages did you get into Talton Wingate’s script for Norman before you realized you wanted the role of Helen Black?

I’d say that within the first 5 to 10 pages, I knew I would love to be a part of the project. I think you always know within the first 10 pages if you’re attracted to a piece. Just like first impressions in life- you know early on whether or not you’re hooked on something. All good screenplays establish tone and the world of the story in their opening beats. I remember writing my agents, saying I loved the screenplay, because this is exactly the kind of movie that I love to watch!

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Johnny Carson Pays Tribute to Orson Welles

Johnny Carson tells a personal story from when he was 17, partially in tribute to Orson Welles, again courtesy of the gang at AFI.

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Orson Welles Receives 1975 AFI Life Achievement Award

A six-minute Orson Welles 1975 AFI Lifetime Achievement Award acceptance speech that could never happen today (in length alone. but also on other levels).

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Remembering John Hughes

John Hughes died two years ago today. To observe this sad anniversary, I offer a link to the 2010 Oscars tribute to him (unfortunately Oscars blocked embedding) and also a 1991 tribute to him, when he was named  Producer of the Year by the National Association of Movie Theater Owners.

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Interviews to Watch: Kenneth Branaugh

I am sure Kenneth Branaugh has talked about his family and formative years before, but for some reason I found this recent MakingOf interview with him (conducted by Christine Aylward) to be quite engaging.

Consider this excerpt from the interview (about his younger days):

So I decided to start finding out what that meant. I come from a background where there’s no show biz, no entertainment background. I mean, we’re all Irish, so everybody sung and told stories and did things. Family do’s were always full of people who’d got a bit of a turn in them. They could do a poem or a song or something. But the road to understanding how I could, from a working-class background – Belfast originally, and then to Redding, which is about 40 miles west of London and where I lived, suburban Enfield – it was a big jump to make.

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AFI 1983: John Huston Receives Lifetime Achievement Award

From the AFI archives, in 1983, John Huston. What a giant…in talent and living life.

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Whit Spurgeon on His Film Short, Babysitting

When I first decided to interview first-time director and longtime actor Whit Spurgeon he was in the early stages of raising funds for his directorial debut, Babysitting. In recent days, he’s met his $2,500 fundraising goal, but he still hopes to raise more funds, so he can cover  ”post-production expenses and, hopefully, more festival submissions”. Rather than trying to summarize Spurgeon’s film and fundraising efforts, I will let Spurgeon do the talking. [July 8 Update: This interview was slightly revised, due to an aspect of Spurgeon's answer that was inadvertently left out of the initial posting. The new text is in italic.]

Tim O’Shea: When did you first realize that, as much as you enjoy acting, you wanted to try your hand at directing?

Whit Spurgeon: Well, I’ve thought about directing quite a bit throughout my life, but I remained so busy as an actor while I was in Chicago the past 20 years that it never really came up. I directed a couple of staged readings for Prop Thtr there, but never a full-fledged play — just too time-consuming on top of my acting gigs — near the end of my time in Chicago I was doing about 3 or more plays a year and about half a dozen commercials a year as well as holding down a full-time job. Once I made the decision to move to LA, however, it’s like starting your career all over again. I’ve only been out here for two years, so certain casting directors are only gradually becoming aware of me — many others still haven’t seen me at all and aren’t aware I exist — so suddenly, while I build up my name recognition out here, I have more time on my hands. Ta-Da! Time enough to direct!

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Wim Wenders Writes About Falk: For People?

Every blue moon People magazine surprises me, given that it’s usually the site for hyping Entertainment Tonight-style. They shocked me most of all on Monday when the magazine was able to get director Wim Wenders to pen a tribute to the late Peter Falk.

The voice on the phone started to giggle, and then the man laughed and it felt like he never was going to stop laughing. “An Ex-angel?! And you’re already shooting?”

My heart was in my mouth. That wasn’t going too well, I figured.

Peter Falk finally stopped laughing and asked, quite soberly all of a sudden: “And you have no script?”
“No…”
“As a matter of fact, I did some of my best work this way…
[Pause] When do you need me?”
“As soon as possible.”
“I could be there on the weekend. Call my assistant in the morning. Here’s her number.”

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