Archive for category Music
Michael Streissguth on Always Been There: Rosanne Cash, The List & the Spirit of Southern Music
The heart of why I enjoy doing these interviews is when I get a glimpse into someone’s creative process. So you can imagine how interested I was when I found out that Michael Streissguth had written a book, Always Been There: Rosanne Cash, The List and the Spirit of Southern Music, about Rosanne Cash‘s making of her 2009 release, The List. As noted at the book’s site, Streissguth is “the author of Johnny Cash: The Biography, and five other books. His work has appeared in Mojo, the Journal of Country Music, and many other publications. He is a professor in the Department of Communication and Film Studies of Le Moyne College in Syracuse, New York, where he lives with his wife and family.” My thanks to Streissguth for this email interview–and I’m looking forward to reading his next book, given how much I enjoyed this one.
Tim O’Shea: How hard is it to know when to pull back when covering an artist’s life? For example, I felt uncomfortable reading the book when an incident occurred at Rosanne Cash’s son’s school (ultimately revealed to be the death of a
classmate). Did you hesitate to include that in the book?
Michael Streissguth: It’s not hard to pull back when an event seems superfluous. I did hesitate to include the part about her son, but ultimately I felt it would help readers understand that Rosanne is a caring mother who has to deal with the same kind of challenges that parents everywhere face.
Guest Post, Sort of, From the Queen Pirate
So, my good friend, Tracy Van Voris ([aka Queen Pirate of the Crumsy Pirates] one of the first folks interviewed for this blog), periodically posts comments in the Who Talks to Tim? blog entry. Today she posted a comment that is just so great and topical, I’m giving it the spotlight it so richly deserves.
Take it away, Tracy.
Hello, my name is Tracy, and I am a World Cup Addict.
Hey, I do likes me some euro-football in general – I do listen to matches on BBC5, follow some of the dailies, etc., throughout the year. But I wouldn’t call myself a “superfan” of the sport by any means…oh, no…just because I can name more that 20 international players and their respective club teams does NOT mean I am a soccergeek….it’s just that:
Well, I freaking LOVE the World Cup. I’ve been watching it some since the ’80s, and ever since mon capitan, ZiZou, captured my heart with Le Bleu several tournaments ago…and yes, my husband understands as he’s been dealing with a mancrush on that Brazilian Kaka…every four years, I just can’t. Stop. Watching.
And now. Now I have to choose between the country of my ancestors (the ones who aren’t from the British Isles, anyway), and those cuties from Espania. What to do, what to do?
Well, I’ll manage.
And then by Monday morning, I’ll be wanting to come back to humanity and see some old friends….so what will you be doing this upcoming week, mi amigo? Want to get together sometime? We’ve got a CD with your name on it, and a perfect place for some Jamaican food!
Hugs!
T. – happy to finally come out of the closet to you on this World Cup matter
I would call you to see if you want to grab a beer this weekend, Tracy. But I think the World Cup will have your full attention this weekend.
Speaking of Cayamo, NPR’s World Cafe Was There
I had forgotten that NPR’s World Cafe recorded a great many of the Cayamo 2010 artist performances. They rebroadcasted the Lyle Lovett and Steve Earle episode a few weeks back.
And back in April they aired a week’s worth of Cayamo performances, including Emmylou Harris and Buddy Miller; Ben Taylor and Stephen Kellogg; and started out the week with my favorite Cayamo musician–John Hiatt–and Robert Earl Keen (plus in the same episode a non-Cayamo spotlight on the oh so great Sam Phillips).
Andy Levine on Sixthman
If I was not already blessed with a great full-time job and a spectacular boss, I imagine Sixthman founder Andy Levine would be my ideal kind of boss. In 2001, Levine established the Atlanta-based self-described “affinity travel company … that creates unique experiences by bringing together like-minded people in exclusive, interactive and intimate environments … Sixthman currently delivers experiences aboard cruise ships for more than 30,000 fans of artists such as John Mayer, Barenaked Ladies, Lyle Lovett, Emmylou Harris, Lynyrd Skynyrd, Jillian Michaels, and Sister Hazel”. I first became aware of Sixthman in 2009, when my wife and I signed on for Cayamo 2010, the journey of song, which I blogged about here, here and here. Coming out of the cruise, with some invaluable assistance from Sixthman’s Becki Carr, I was able to question Levine about Sixthman. My thanks also to Levine for his time and thoughts. And lest you need convincing how much I like Sixthman and Cayamo in particular, my wife and I have already committed to our cabin for Cayamo Cruise 2011.
Tim O’Shea: Cayamo 2010 was a different experience for you, in one way, as you were on vacation with your family, rather than running the event. How odd and/or refreshing did that feel to experience in that way?
Andy Levine: It was an extremely vulnerable yet liberating moment, because I was scared that I was not needed anymore. Then I was also really proud to see everyone step up and do such a great job–not that they don’t always step up. But for me, the best part was that I got to be a guest and I got to feel a little bit about what I think our guests feel–which is that: “When it’s working, it’s working. It’s right.” I got to experience that and it was awesome.
Discovering New Hal Hartley Short Films
The other night I realized it had been awhile since I’d hear about any new work from writer/director Hal Hartley. I was under the impression that his most recent film had been 2006′s Fay Grim (the sequel to my favorite Hartley film, 1997 Henry Fool). But a quick check of IMDb revealed that he had released a slew of films in 2010, much to my delight and confusion.
I was confused because I could not fathom how Hartley could have released so many projects (Accomplice; Adventure; A/Muse; Implied Harmonies; and The Apologies) in one year. So I took my curiosity to Twitter (“OK, anybody else out there Hal Hartley fans? According to imdb he has multiple projects in 2010, anybody seen one of them?”) in hopes of finding out more info from a fellow Hartley fan.
I did not receive a reply from a fellow Hartley fan, but rather an explanation came via a tweet from Hartley’s company (Possible Films): “They’re part of a collection of new short films. You can see one of them on our website. http://bit.ly/4Vo7wZ“. The link takes you to the three-minute short film, Accomplice, which is described as “An artist-criminal far from home asks his assistant to pirate a rare videotape before the German Post Office Authorities come to confiscate it. Part of the PF2: Possible Films Volume 2 short film collection.”
Go visit the site and explore, because that short film is just one part of a Hartley treasure trove. Hartley is clearly utilizing the Internet to a great extent to grant fans the means to purchase not only some of his films, but also his music.
Chelsea Crowell on Solo Music, Jane Only
I broaden my musical knowledge in various ways. In the case of Chelsea Crowell, I found out about her music via Twitter. I recently e-mail interviewed Crowell on the eve of her entering the studio to record her second solo effort (she entered the studio on June 8). Her first solo effort, Chelsea Crowell (also available from Amazon and on iTunes), was released last year, while her earlier collaborative band effort, Jane Only (also available from Amazon and on iTunes), was released last month (both from Cleft Music). Before jumping into the interview, here are snippets from her bio: “Chelsea Crowell is an American songwriter, singer, artist and author. She has lived in New York, Baltimore, Memphis, Charleston, Colorado and Nashville. Having grown up in a musical family, she began writing and playing guitar as a teenager … Her real start in music began when she moved back to Nashville in 2004 with guitarist, Stephen Braren. They lived together on the top floor of a now bulldozed, pre war walk up apartment building on 31st Ave called Maberta. It had a clear view of the Nashville skyline at the time. It was there they would shoot fireworks from the window towards the Parthenon but always hitting the neighbors across the street. The two eventually formed the band “Jane Only” with Lincoln Kaufman. The group became Stephen, Chelsea, Marty Linville and Fletcher Bangs Watson the Sixth … In ’08, Chelsea began her first solo project with producer and fellow generational conduit, Loney John Hutchins. … Originally meant to be an experiment while band mate Braren was on tour with band, Cheap Time, by early ’09 a full length record had taken form. It is being released on vinyl, cd, and online through Hutchins’ Cleft Music imprint … She is currently working on an opera as well as her sophomore record.” My thanks to Cleft Music‘s Hutchins for putting me in contact with Crowell, and to Crowell, most importantly, for her valuable time and thoughts.
Tim O’Shea: What was the inspiration for “Where the Hell is Robert E. Lee” (Cut 10 from your solo release)?
Chelsea Crowell: Aside from being from the south and having a bit of an American civil war history fetish, I wanted to write a song that was historically accurate. Aside from the line in the song about Sal T, who was my ancestor Sal Taylor Willoughby, the song can be fact checked. I have a note book of biography songs I wrote that I hope to make an entire record of when I am done with the projects I am working on now. For the sake of my first debut album, there was plenty of love-lorn-lost and low down emotion, so it was between ‘Robert E Lee’ or a song about ‘typhoid Mary’ just to throw off the singular heartbreak. The civil war was a different sort of heartbreak.
In Defense of Country Music
The other day on Facebook, I ran across a friend of a friend explaining how they could not understand or appreciate country music. And several other friends agreed with them. Despite my title, I’m not going to defend country music, or defend Americana or however folks want to label the music that I currently enjoy.
Instead I will merely direct you to Buddy and Julie Miller’s website. More exactly, I will direct you to Julie Miller’s lyrics from Long Time, the fifth cut on last year’s release, Written in Chalk.
CARDS AND LETTERS MEANT TO BRING CHEER
NOW BRING ME SORROW, NOW BRING SUCH TEARS
THE WORDS FELL OFF THE PAPER
SO I’M GONNA SWEEP AWAY EACH LINE
BUT IT’S GONNA TAKE A LONG, LONG TIME
STREETLIGHT STANDIN’ ALONE ALL NIGHT IN THE RAIN
SHININ’ FOR NO ONE, SHININ’ ALL IN VAIN
I’M GONNA STOP WASTING MY LOVE LIKE THIS BECAUSE IT’S A CRIME
BUT IT’S GONNA TAKE A LONG, LONG TIME
CALL THE DOCTOR WHEN YOUR BODY HURTS
BUT WHEN THE PAIN IS IN YOUR SOUL, HEY MAN NOTHIN’ WORKS
SMOKE FROM A CIGARETTE COMING UNDERNEATH MY DOOR
JUST LIKE YOUR MEMORY SNEAKIN’ UP ON ME SOME MORE
I’M GONNA BE ALL RIGHT AND LEAVE THIS HEARTACHE BEHIND
BUT IT’S GONNA TAKE A LONG, LONG TIME
LIPSTICK ON A GLASS
SOMEBODY WANTS TO LOOK PRETTY
AND WANTS TO FORGET THE PAST
SOMEDAY THESE TANGLED THOUGHTS ARE GONNA ALL UNWIND
BUT IT’S GONNA TAKE A LONG, LONG TIME
No matter the music, one cannot deny how lovely those lyrics are.
Ira Marcks on His Illustrative Score
Posted by admin in Music, sequential art, streaming video on June 2, 2010
A few months back, Ira Marcks, a New York-based cartoonist, contacted me about his recent collaboration with Jake Lodwick (the founder of Vimeo) regarding an experimental illustration/animation project featuring music composed by The Few Moments. Before or after you read this email interview with Marcks about the project, I invite you to watch the score (embedded below) as its an ambitious and intriguing concept on many levels. Now on with the interview (and my thanks to Marcks for contacting me in the first place).
MARCH 3 from Jake Lodwick on Vimeo.
Tim O’Shea: Among the three main factions in this project, Jake Lodwick, The Few Moments and yourself–whom approached whom about this project. How did you settle upon the term “illustrative score” for the project?
Ira Marcks: The process began with The Few Moments making a record called “March 3″ for Jake Lodwick. At the time (2008) Jake had a record label called Normative through which he would release music by his artists in unconventional ways. The idea for this release was to have the music be accompanied by “one long, scrolling illustration”. Those are Jake’s words. It’s all the direction I was really given on the project. First thing that came to mind was Trajan’s Column in Rome. It’s covered from bottom to top in a bas-relief that scrolls around the column and tells the story of an ancient war. I imagined this project would be something of an automated version of that concept.
Watch: Dead Can Dance
Posted by admin in Music, Uncategorized, streaming video on May 28, 2010
This song just popped in my head, and I had to see the video for Dead Can Dance‘s The Carnival is Over. A strange selection for the Friday before a three-day weekend, but it strangely cheers me.
Fran Snyder on Concerts in Your Home
A couple of months ago ConcertsInYourHome.com (CIYH), the largest and most active community of house concerts on the web, released its 48-page House Concert Guide and 2010 Calendar. As noted when the calendar was released: “The booklet is available as a free download, and hard copies are free for a limited time ($4 for shipping is the only charge.)…The guide, written by Fran Snyder [CIYH founder], provides all the basics for launching your own house concerts series, or simply hosting one show. It also shares tips and suggestions for experienced hosts to get the most out of the experience – how to engage your friends to attend, how to prepare for the evening, and how to attract the best talent possible.” The main goal of the website (which sports the fun motto of “Living rooms were made…for live music”) is to connect musicians with house concert presenters. I recently got a chance to do an email interview with Snyder about the guide and CIYH in general.
Tim O’Shea: When and how did you come up with the idea for CIYH?
Fran Snyder: At the end of 2005, my wife and I were contemplating another move (Texas to Kansas – for her job) and I needed a break from the gig-chasing rat-race. I had recently performed my first house concerts and was smitten with the idea of doing them on a regular basis, in different parts of the country. My online research turned up so many dead-ends and out-of-date information, that I decided someone needed to fix the problem. Someone, (me,) had to create a place where house concert presenters could form a community, inspire others to participate, and allow professional, talented artists to connect with them in a simpler way.




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