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Chelsea Crowell on Solo Music, Jane Only

I broaden my musical knowledge in various ways. In the case of Chelsea Crowell, I found out about her music via Twitter. I recently e-mail interviewed Crowell on the eve of her entering the studio to record her second solo effort (she entered the studio on June 8). Her first solo effort, Chelsea Crowell (also available from Amazon and on iTunes), was released last year, while her earlier collaborative band effort, Jane Only (also available from Amazon and on iTunes), was released last month (both from Cleft Music). Before jumping into the interview, here are snippets from her bio: “Chelsea Crowell is an American songwriter, singer, artist and author. She has lived in New York, Baltimore, Memphis, Charleston, Colorado and Nashville. Having grown up in a musical family, she began writing and playing guitar as a teenager …  Her real start in music began when she moved back to Nashville in 2004 with guitarist, Stephen Braren. They lived together on the top floor of a now bulldozed, pre war walk up apartment building on 31st Ave called Maberta. It had a clear view of the Nashville skyline at the time. It was there they would shoot fireworks from the window towards the Parthenon but always hitting the neighbors across the street. The two eventually formed the band “Jane Only” with Lincoln Kaufman. The group became Stephen, Chelsea, Marty Linville and Fletcher Bangs Watson the Sixth …  In ’08, Chelsea began her first solo project with producer and fellow generational conduit, Loney John Hutchins.  … Originally meant to be an experiment while band mate Braren was on tour with band, Cheap Time, by early ’09 a full length record had taken form. It is being released on vinyl, cd, and online through Hutchins’ Cleft Music imprint … She is currently working on an opera as well as her sophomore record.” My thanks to Cleft Music‘s Hutchins for putting me in contact with Crowell, and to Crowell, most importantly, for her valuable time and thoughts.

Tim O’Shea: What was the inspiration for “Where the Hell is Robert E. Lee” (Cut 10 from your solo release)?

Chelsea Crowell: Aside from being from the south and having a bit of an American civil war history fetish, I wanted to write a song that was historically accurate. Aside from the line in the song about Sal T, who was my ancestor Sal Taylor Willoughby, the song can be fact checked. I have a note book of biography songs I wrote that I hope to make an entire record of when I am done with the projects I am working on now. For the sake of my first debut album, there was plenty of love-lorn-lost and low down emotion, so it was between ‘Robert E Lee’ or a song about ‘typhoid Mary’ just to throw off the singular heartbreak. The civil war was a different sort of heartbreak.

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Peter Bradley Adams on His Music

I first became aware of Peter Bradley Adams‘ musical acumen back in 2005 when he was one-half of the musical duo, Eastmountainsouth, and one of the duo’s songs was featured on the Elizabethtown soundtrack.  More recently, Adams has pursued his solo interests, including (as detailed at his website)  “Gather Up, Leavetaking, and his most recent, Traces, in October 2009 on Sarathan Records“. If you’re looking to get a taste of Adams music for free, you’re in luck as currently Amazon is offering a sampler of three of his songs here. He’s currently back in the studio, recording his next release–and has established a Kickstarter page to collect funds for it. Before getting into the interview, one last tip–Adams will perform live on WUMB (Boston, MA) next Wednesday, May 26,  at 2pm. My thanks to Adams for his time and Sarathan’s Marc Ratner for helping to arrange the email interview.

Tim O’Shea: Over the past several months, your songs have appeared on CBS’s The Mentalist, WB’s One Tree Hill and ABC’s Brothers and Sisters. What do you think it is about your music and/or lyrics that makes it so clearly appealing to TV producers?

Peter Bradley Adams: I think the producers for those shows are just looking for the right mood from a song. And of course lyrics that fit but don’t describe the scene too literally. And I just happened to have a few songs which fit the bill and got in their hands at the right time. I’m lucky.

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Leah Dieterich on thxthxthx: a thank you note a day

thxthxthx

thxthxthx

Quirky concepts catch my attention; visually engaging blogs hold my interest. Leah Dieterich’s blog, thxthxthx: a thank you note a day, is a quirky and visually entertaining concept that I enjoy immensely. Here’s the basic premise: “There’s always something to be thankful for. From the important things like Songs You’re Embarrassed to Like, and Heavy Eyelids that Tell You When You Need to Sleep, to friends and family, love and loneliness, light and darkness, Leah Dieterich sets out to acknowledge them all. thxthxthx is her daily exercise in gratitude.” I am thankful to Dieterich for this email interview and to Jason Bitner for putting me in contact with her.

Tim O’Shea: In the about category for the blog, you explain”Leah Dieterich’s mother always told her to write thank you notes. So she does.” What’s been her reaction to your blog?

Leah Dieterich: It’s funny, she told me after Christmas that she hadn’t written her thank you notes yet. I think it was almost February when she told me this. And she said “I guess you’ll have to take my name off your blog, huh?” That’s just silly. Other than that, she likes the site, but I don’t know that she reads it very often. She’s on the internet a lot less than I am, lucky woman.

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Music: Robert Fripp and Peter Gabriel

The other day when I interviewed Johnny Bacardi, one of the things we discussed was his affinity for posting music videos on Facebook. Tonight he made me aware of a version of a Peter Gabriel song, Here Comes The Flood, that I had never heard before. There’s a layered beauty and simplicity, while at the same time intense complexity, to this song. This is one of my favorite Peter Gabriel tunes, not for Gabriel’s lyrics really, but oddly enough–because of the keyboard work that I feel is the heart of the song. Give it a play and see what the song does for you.

Listening to the latter half of this version, I am reminded of how Gabriel opened his later song, Mercy Street.

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Johnny Bacardi on His Pop Culture Perspective

A sample from one of Johnny Bacardi's many pop culture outlets

In terms of pop culture insight, I wish I was as informed and diverse in my knowledge as Johnny Bacardi. Bacardi and I have similar tastes on several fronts, but his knowledge is amazing. How amazing? I had to interview him in hopes of learning a fraction of what he knows. You’ll note I did not link to his website in this introduction, but only because I could not pick one distinct site. We discuss many of his sites in the course of this email interview, so please follow the links there. And thanks to Bacardi for his time. Did I mention I’m amazed there was any such thing as cable in the 1960s (as he briefly mentions)?

Tim O’Shea: You have a diverse appreciation covering almost every aspect of pop culture, can you recall what your first form of media (TV, film, music, comics or what) that first caught your attention as a kid?

Johnny Bacardi: Hm. Probably a children’s book of some sort, most likely a Little Golden. I remember having an illustrated version of The Night Before Christmas, and another about Beany and Cecil, who were on TV when I was small. My folks subscribed to several magazines, as well as Reader’s Digest. Of course, not long after came comics and music and TV (our small town had cable very early on, in the early-mid 60s- 12 channels, but still!), all at sort of the same time, around 1963 or 64. You see, I could read before I started preschool, as early as age 3. Don’t ask me how, I have no recollection of actually “learning”. I blame comics, with the picture/word association thing going on. This led to a lot of heightened expectations for me, which, sorry to say, I spent most of my formative years failing to live up to.

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Tori Sparks on Her Music

Tori Sparks

Tori Sparks

The way I discovered Tori Sparks‘ music was a fortunate fluke. One late night/early morning on the Cayamo cruise, after most of the music had ended for the evening–I went looking for where any jam sessions might have been happening. And that’s when I discovered Sparks performing an impromptu show in the ship’s library. I so enjoyed her witty storytelling and performance skills, I decided to get an email interview with her. We got to discuss last year’s release, as detailed here: “Tori’s third album, The Scorpion in the Story, was co-produced with indie rock veteran David Henry (R.E.M., Ben Folds, Josh Rouse, Widespread Panic, Cowboy Junkies) , and features players such as Steve Bowman (Counting Crows), Will Kimbrough (Rodney Crowell), Viktor Krauss (Lyle Lovett, Mindy Smith, Allison Krauss), Fats Kaplin (Mark Knopfler, Kevin Welch), and Barry Walsh (Gretchen Peters) … The Scorpion in the Story is a tale in thirteen chapters, a tour diary in the form of a concept album . Each song was written about one of the many colorful individuals Tori met while touring across the U.S. last year. The album includes a French version of the song ‘Merry Go-Round,’ (‘Le Manege’), and was released on Glass Mountain Records in June 2009.” As evidenced by some of our discourse, in addition to her musical talents, she’s also quite effective in terms of marketing. My thanks to Sparks for her time.

Tim O’Shea: How did the duet with Shawn Mullins on Letter to a Wretch #2 come  about–what is it about Mullins’ voice (and how it interacts/plays off/compliments yours) that motivated you to want to duet with him?

Tori Sparks: I contacted Shawn and asked him if he’d be willing to sing on the song, and was very happy when he said yes. He’s a very gracious guy, and extremely supportive of independent music too – he worked on his own for about ten years before ever signing a record deal, so he knows what it’s like to have to be out there working for it. I’ve always loved the range and the timbre of his voice, and of course his songs as well. Both always ring true to my ears. He sings and writes from the heart.

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