And Here's the Kicker

I fancied myself fairly well-informed about the art of comedy and the folks who practice it. But then I started reading some of Mike Sacks‘ And Here’s The Kicker: Conversations with Top Humor Writers About Their Craft, and soon realized I was not as informed as I thought. Sacks, who is presently on the Vanity Fair magazine editorial staff, interviewed 21 humor writers as well as a variety of editors and entertainment executives for the book. I was really impressed with the variety of writer he was able to interview–and I consider myself fortunate to get to interview him about the book. Please be sure to visit the book’s website as Sacks provides excerpts from each of the book’s interviews. With that in mind, I linked to each interview excerpt (and/or their respective website) when they come up in the discussion.

Tim O’Shea: Before your book, I had never even heard of Irv Brecher, and I considered myself a fan of the Marx Brothers (clearly not a well-informed one). Why do you think his name is not more widely known in comedy circles?

Mike Sacks: Well, I do think he was known within comedy circles, but only among  those in a certain age demographic–or those who were very knowledgeable about Hollywood’s past. I guess it’s similar to younger baseball players not knowing much about the great players from the 30s and 40s.

Also, Brecher worked on two Marx Brothers movies (“Out West” and “At the Circus”_ that are lesser known than “A Night at the Opera” or “Duck Soup.” But I think anyone who is a professional humor writer (or  even just interested in comedy) should acquaint themselves with Irv. He was an amazing man with an incredible career: from writing for Milton Berle to writing for the Marx Brothers to punching up the script to “Wizard of Oz.” He was also very bawdy and incredibly honest. It was great talking with him and I’m really happy I got the  chance to before he became very sick.

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