Longtime readers of the blog know how much I love music–and Americana music, in particular, has really grown on me in recent years. So when I found out about Beth Harrington‘s musical/historical documentary in progress, The Winding Stream: The Carters, the Cashes and the Course of Country Music, I immediately sought Harrington out for an interview. As noted at Harrington’s website: “The Winding Stream is the tale of the dynasty at the very heart of country music. Starting with the seminal Original Carter Family, A.P., Sara and Maybelle; this film-in-progress traces the ebb and flow of their influence, the transformation of that act into the Carter Sisters and Mother Maybelle, the marital alliance between June Carter and music legend Johnny Cash, and the efforts of the present-day family to keep this legacy alive.” Below is a Kickstarter video about the project. While the initial fundraising goal was recently met, as we discuss in the email interview, there’s additional work that needs to be funded. My thanks to Harrington for her time, as well as her willingness to discuss her own musical career.

Tim O’Shea: How far along are you in the production of this documentary? While you have met your Kickstarter goal, can you estimate how much more you hope to raise to help cover “Editing, sound design, music and footage rights, animation, graphics and titles” expenses?

Beth Harrington: The Kickstarter funds will allow us to film our last several days of interviews and performances if we’re careful. Beyond that we need to raise several hundred thousand more to do all the other things I mentioned. But that sounds daunting and has been counterproductive until now, so we’re trying to deal with the film in chunks. 1) Finish shooting. 2) Refine the edit. 3) Complete the graphics, animation and titles. 4) Deal with the rights issues. 5) Finish sound design and other post production. We’re waiting to hear on a grant from the National Endowment for the Arts. We’re also looking for one or more corporate underwriters (sponsors) who would want to be associated with the film. And then there are a couple of possible distribution deals we could access when we get close to being finished. But meanwhile we’re mostly relying on crowdfunding – individual donations – to get us to the next steps.

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