Posts Tagged Lindsey Buckingham

James Lee Stanley on All Wood and Doors

Article first published as Interview: Musician James Lee Stanley on All Wood and Doors on Blogcritics.

All Wood and Doors

James Lee Stanley is a musician that clearly considers and explores music in extremely unique ways. His musical curiosity is fully evident in his latest project with Cliff Eberhardt, All Wood and Doors, an acoustic guitar exploration of classic Doors songs. The 12-song project, which was released this month by Beachwood Recordings, has support and involvement from two Doors members (John Densmore and Robby Krieger). The release (described at Stanley’s site as “An amazing collection of Doors tunes played on acoustic guitars and laden with soulful vocals and joyous harmonies”) also has the involvement of numerous talented musicians including Peter Tork, Timothy B Schmit, Laurence Juber, Paul Barrere and Chad Watson. Stanley was kind enough to discuss this project with me, as well as his new solo release (Backstage at the Resurrection) in the following email interview.

Tim O’Shea: While John Densmore and Robby Krieger were complimentary of the project and expressed interest in working with you two on this Doors collection, I am wondering if there was part of you that was intimidated by the prospect of working with them?

James Lee Stanley: I was certainly thrilled to have not only their blessings, but also their contributions; however I don’t recall feeling any intimidation. After playing music all my life and recording 25 other CDs and producing many other artists, soundtracks, scoring TV shows, writing musicals, performing, and session work, it just seemed like more musicians coming together for the sake of the music. And they were both, congenial, professional and just fun to hang with. I was not only honored to be with them, but had a great time.

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Chris Epting on Movies, Baseball and Music

Sometimes the best leads for an interview happen in the library. Such was the case when I ran across pop culture historian Chris Epting‘s 2007 book, Led Zeppelin Crashed Here: The Rock and Roll Landmarks of North America. I was impressed with Epting’s research, after flipping through the book, which aims to take the reader “through America’s rich rock ‘n’ roll history with the musical landmarks detailed in this extensive collection. Nearly 600 locations, including birthplaces, concert locales, hotel rooms, and graves, are neatly compiled and paired with historical tidbits, trivia, photographs, and backstage lore—from the site where Elvis got his first guitar and Buddy Holly’s plane crashed to Sid and Nancy’s hotel room and the infamous ‘Riot House’ on the Sunset Strip.” I tracked Epting down at his website and he agreed to an email interview. We covered a great deal of ground and I had a substantial amount of fun along the way. Hopefully you’ll have fun reading this.

Tim O’Shea: Do you think your affinity for pop culture began where you grew up–in Westchester County, New York–an area where you note: “certain notable people became attracted to the area. Jackie Gleason, for one. Other actors. Writers. Thinkers. Even Peter Frampton (on the heels of the blockbuster album “Frampton Comes Alive”)”

Chris Epting: It definitely started at that point in my life, but I think it was more a process of the times than the geography. That said, our close proximity to New York City was valuable in terms of what were exposed to, but in general I think growing up in the thick of the 1970s is what really did it for me. It was an interesting time in that you had some great directors breaking out (Scorcese, Coppola, etc.) some cutting edge TV (All in the Family, MASH, etc), great radio (both am/fm), decent theater—a lot of culture was in flux, and the churn produced, I think, a wonderful storm of pop culture fury that still influences a lot of things today.

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