Posts Tagged writing
Cecil Castellucci on Beige, Her Creative Process
Posted by admin in Literature, Music, sequential art on April 8, 2009
Cecil Castellucci is a storyteller of many platforms. In a creative sense, she wears a seemingly infinite number of hats–the most apt description of her work can be found at her You Tube channel: “young adult author, Graphic Novel writer, filmmaker, performance artiste and general troublemaker”. Her 2007 Young Adult novel, Beige was released in paperback last month (March) . I caught up with her recently to discuss that novel, as well as the path that has led her to find a new voice as a writer. An interviewer always hopes to get a subject who can be as open and direct as Castellucci, but it happens so rarely, I’m always appreciative.
Tim O’Shea: Beige is partially inspired by your initial move to Los Angeles. While the novel is not your story, of course, I’m wondering if when writing a novel like this do you find you learn a little about yourself in the process?
Cecil Castellucci: While no novel is biography, there are always elements of myself and where I’m at or where I’ve been. Sometimes it’s a look back, sometimes it’s a reflection of now, sometimes an imagined path not taken. So, I think that I learn a little bit about myself from every novel I write. For Beige, I was inspired by moving to my particular neighborhood in Los Angeles, Silverlake, and dealing with all the punk in Los Angeles. Everything was so punk rock here and I felt like an outsider looking in, even though I had moved here to put out my first CD on No Life Records. I was working at Epitaph Records and I was this little indie rock girl who sang Twee music. I suppose in this case I learned about the essential roots of punk, which are pretty much the essential roots of being an artist in the world. Ask questions. Pay attention. Think for yourself. When you do that, it’s all good.
Tom Peyer: Of Flash and Baseball
I think DC Comics should employ writer Tom Peyer a great deal more. So to see him take on Flash writing chores in the wake of Mark Waid’s departure was a step in the right direction for my money. This Wednesday, April 16, marks the release of Flash 239, the second issue in Peyer’s first arc. We got to discuss his take on this phase in Wally West’s life and also discuss some of Peyer’s other non-DC projects. And, with the return of the baseball season, plus Peyer’s and mine shared love of the game (and in his case, a fondness for the Yankees) we had to talk baseball, however how briefly. I regret I was not quick enough to ask the Yankee fan about the time then-Yankee second baseman Chuck Knoblauch accidentally hit Keith Olbermann’s mom with an errant throw to first that flew into the stands.
Tim O’Shea: When you found out Waid was stepping down from the Flash, what was it mainly that attracted you to the assignment?
Tom Peyer: I’ve loved The Flash since I was a kid, so that’s all I needed right there. I also really enjoy writing characters people outside of comics have heard of. I hope you never have to explain R.E.B.E.L.S. ‘94 to your dental hygienist, because it’s a pain. So thanks, Flash, for being pretty well-known.
Comics Experience with Andy Schmidt
Posted by admin in art, comics, sequential art on January 14, 2008
Andy Schmidt is a former Marvel Comics editor who I found consistently brought an engaging vibe to the books that bore his name. When I learned last year that he was going freelance (for a number of positive reasons, most importantly to care for his newborn child) , I was eager to see where his professional path went next. Soon enough, I found that path included tapping into his teaching and editorial skills in one spot, Comics Experience. As detailed at the website, Comics Experience is where “…you can learn to be be a comic book writer; be a comic book artist; self-publish your own comic book; [and/or] learn how to break into comics…”. The latest round of classes started last week (January 7). Schmidt and I discussed what’s coming up in the short-term as well as the long-term.
Tim O’Shea: At present, the main classes are Introduction to Comics Writing, Introduction to Comic Book Art, as well as advance versions of both classes. Based on response and interest, are there any other classes you might consider offering down the road?
Andy Schmidt: Oh, definitely, I’ve been talking about doing an inking class and a coloring class and even more recently a Manga class. The response to what I’m offering has been incredibly positive from students and creators alike. So, I’m hoping to grow this out a bit.