The overall buzz on Fred Chao‘s Johnny Hiro (Half Asian, All Hero) [AdHouse] frequently boils down to words like “genuine” or “fun” or both. What else can you expect from a series that involves giant monsters, stolen lobsters and David Byrne? Well that’s just some of the things encountered in the first three issues. So naturally I was eager to interview him about his work, as well as an upcoming exhibition of paintings he has this Saturday, April 5 at Charmingwall Gallery.
Tim O’Shea: In terms of the backstory, I’m curious with Mayumi, why did you opt to create a character (in Johnny Hiro) who clearly is still learning the nuances of the English language but she makes a living as a copywriter (or is she a copywriter in her native language)?
Fred Chao: Perhaps it’s a weakness in my writing-I’m not sure yet-but the indulgence I let myself fall into most is humor. So a lot can be put aside for a good joke, as long as it doesn’t go against the characters. That said, I just thought it would be funny for Mayumi to be working on the editorial side at a major publishing house despite English being very obviously her second language.

Writer/artist Terry Moore is on a very short list of successful, long-term self-publishers. Last year, Moore wrapped up Strangers in Paradise, after a 14-year run. This month, he launched a brand new series, Echo, a bimonthly ongoing series about (at its core) “Julie Martin, a photographer taking pictures in the desert [who]… finds herself in the wrong place at the wrong time.” As if that is not enough, he is also writing two series for Marvel, Runaways and Spider-Man Loves Mary Jane. The bulk of this email interview focuses on Echo, understandably.
A month or so ago, when I first contacted