Posts Tagged Chris Roberson

Rowlf on The Jimmy Dean Show

Last night, a brief Twitter exchange between writer Chris Roberson and myself got me to thinking about the early career of one of the Muppets, Rowlf the Dog. As noted in his Wikipedia entry, ‘Rowlf was actually the first true Muppet ‘star’ as a recurring character on The Jimmy Dean Show, first appearing in a show telecast on September 19, 1963.”

Exploring further for online evidence of Rowlf’s role on the shoe, I was fortunate to run across a seven-minute clip of Dean and Rowlf discussing music, courtesy of the always enlightening blog for the ASIFA-Hollywood Animation Archive. Why would an animation site cover the early work of a Muppet? As noted by the blog: “Animators can learn a lot from puppeteers when it comes to creating a living, breathing character.”

Check out the post, as it is almost as informative as the YouTube clip.

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Daryl Gregory on Raising Stony Mayhall

Raising Stony Mayhall

Article first published as Interview: Novelist Daryl Gregory on Raising Stony Mayhall on Blogcritics.

Writer Daryl Gregory always provides enlightening and entertaining discussion, that’s why this marks the third time I have interviewed him about his work. Last month saw the release of his newest novel, Raising Stony Mayhall, described by publisher Del Ray as “In 1968, after the first zombie outbreak, Wanda Mayhall and her three young daughters discover the body of a teenage mother during a snowstorm. Wrapped in the woman’s arms is a baby, stone-cold, not breathing, and without a pulse. But then his eyes open and look up at Wanda—and he begins to move. The family hides the child—whom they name Stony—rather than turn him over to authorities that would destroy him. Against all scientific reason, the undead boy begins to grow. For years his adoptive mother and sisters manage to keep his existence a secret—until one terrifying night when Stony is forced to run and he learns that he is not the only living dead boy left in the world.”

In addition to chatting about his newest novel, Gregory also explained how his previous novel, Pandemonium, came to be translated into Hebrew, as well as what else is on the creative horizon for him.

Tim O’Shea: In terms of this novel’s timeline, the first zombie outbreak happened in the late 1960s. What was your thinking in terms of the timeframe of when Stony was born?

Daryl Gregory: It’s a nod to Romero’s Night of the Living Dead, which came out in 1968. In the world of the novel, a guy who also happens to be named Romero films the outbreak a documentary. We go on from there, and the book spans Stony’s entire “life,” from when he was discovered as an undead baby beside the highway in ’68, to his eventual second death in his forties in 2010.

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Hal Duncan on His Fiction, Other Creative Pursuits

Hal Duncan

Hal Duncan

I always appreciate when a friend of the blog broadens my area of knowledge by suggesting an interview subject. This week, thanks to a suggestion from Allison Baker (of MonkeyBrain Books), I present my interview with self-described strange fiction writer Hal Duncan. Here’s a snippet of Duncan‘s bio: “A member of the Glasgow SF Writers Circle, his first novel, VELLUM, won the Spectrum Award and was nominated for the Crawford, the BFS Award and the World Fantasy Award. As well as the sequel, INK, he has published a poetry collection, SONNETS FOR ORPHEUS, a stand-alone novella, ESCAPE FROM HELL!, and various short stories in magazines such as Fantasy, Strange Horizons and Interzone, and anthologies such as NOVA SCOTIA, LOGORRHEA, and PAPER CITIES.” In addition to discussing his theories on fiction as well as his work in general, he and I also discussed a musical recently produced that was written by him-and the experience of writing a screenplay. I always thank folks when they give me the honor of their valuable time, but I have to give Duncan an extra big thanks for the level of detail and consideration he gave to his answers.

Tim O’Shea: Your first novel, Vellum, was translated into several different languages. How much were you involved in that process? Can you think of any country where you were pleasantly surprised to find readers took strongly to the book?

Hal Duncan: With some of the translations I’ve had no involvement at all; with others there’s been a lot of back-and-forth. They’re not the easiest books in the world to translate by a long shot, I know; there’s all manner of poetic techniques, dialect, wordplay, even a mixture of mythical, historical, and alternate-history settings that means passing references could be authentic history or utterly spurious. I regard my translators with a mixture of shame at what I put them through and wonder at the fact they’re tackling it. So if there’s anything I can do to help, I’ll do it. It’s fascinating to see the process anyway.

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Matthew Sturges on Midwinter, The Office of Shadow

The Office of Shadow

Novelist and comics writer Matthew Sturges recently spared some time to discuss his 2009 novel, Midwinter (2009) and its sequel, The Office of Shadow, which was released in June by Pyr. The Office of Shadows is “a group of covert operatives given the tasks that can’t be done in the light of day … The new leader of the ‘Shadows’ is Silverdun. He’s the nobleman who fought alongside Mauritane at Sylvan and who helped complete a critical mission for the Seelie Queen Titania. His operatives include a beautiful but naïve sorceress who possesses awesome powers that she must restrain in order to survive and a soldier turned scholar whose research into new ways of magic could save the world, or end it.” Discussing the mechanics of Sturges’ approach to his novels made this interview quite enlightening for me.

Tim O’Shea: Do you still get a kick out of reading the Library Journal review of last year’s release, Midwinter, which included the line: “Joining Neil Gaiman in making the crossover from comics to prose fiction, Sturges represents a strong, new voice in fantasy.”?

Matthew Sturges: I’ll take any review that puts my name along with Neil Gaiman’s in the same sentence. I realize that it doesn’t create an actual equivalency, but it’s definitely a nice thing to read. It’s true, though, that there aren’t many writers who do both prose and comics. As far as being a “strong new voice in fantasy,” again I’ll take it, but it’s hard to feel “new” when I’m three months shy of forty.

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Daryl Gregory on The Devil’s Alphabet

The Devil's Alphabet

A couple of weeks ago, after I interviewed comics writer/prose novelist Chris Roberson over at my other online home, Robot 6, we got to discussing novelists that he would recommend to feature here. One of the first names he mentioned was novelist Daryl Gregory. Roberson was kind enough to get me in contact with Gregory who was willing to discuss his latest novel, The Devil’s Alphabet. Before starting the interview, let’s delve into part of his bio: “Daryl Gregory’s first novel, Pandemonium, appeared from Del Rey Books in 2008 and won the Crawford Award for 2009. It was also a finalist for several other awards, including the Shirley Jackson Award and the World Fantasy Award. His second novel, The Devil’s Alphabet, appeared in November, 2009, and was named one of the best books of the year by Publisher’s Weekly.”

Also, here’s some background on the novel itself: “Switchcreek was a normal town in eastern Tennessee until a mysterious disease killed a third of its residents and mutated most of the rest into monstrous oddities. Then, as quickly and inexplicably as it had struck, the disease–dubbed Transcription Divergence Syndrome (TDS)–vanished, leaving behind a population divided into three new branches of humanity: giant gray-skinned argos, hairless seal-like betas, and grotesquely obese charlies.

Paxton Abel Martin was fourteen when TDS struck, killing his mother, transforming his preacher father into a charlie, and changing one of his best friends, Jo Lynn, into a beta. But Pax was one of the few who didn’t change. He remained as normal as ever. At least on the outside.

Having fled shortly after the pandemic, Pax now returns to Switchcreek fifteen years later, following the suicide of Jo Lynn. What he finds is a town seething with secrets, among which murder may well be numbered. But there are even darker–and far weirder–mysteries hiding below the surface that will threaten not only Pax’s future but the future of the whole human race.” My thanks to Gregory for his time and thoughts.

Tim O’Shea: In addition to naming you in a manner that allowed you to avoid being called junior, do you think your parents unintentionally helped make your name more marketable for when your began your writing career?

Daryl Gregory: Wait, would my name be more unmarketable as a “junior”? Growing up, I thought it was pretty lame as it was. That’s why for my first publication — a science fiction story that appeared in “Rambler Roundup,” the Marion Hills Elementary School newsletter, when I was in fifth grade — I used the pen name “James Clark Savage,” Yes, I’d been reading a lot of Doc Savage.

We should explain to your readers that my father’s name is Darrell — note the subtle change in spelling — and that he also has a different middle name. So I’m a phonetically near-junior. The marketing genius of this — and I have to believe my parents planned it — is that it gives me something to talk about in interviews like this one.

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