Posts Tagged Film
Actress-Producer Camille Mana
Article first published as An Interview with Actress-Producer Camille Mana on Blogcritics.
October is going to be a busy month for actress-producer Camille Mana. First up, she has a supporting role in the feature film Norman, which opens in theatres on October 21. She plays Helen Black, a unique high school classmate who has a crush on Norman (played by Cougar Town‘s Dan Byrd). Secondly, she will appear in actor/playwright Jesse Eisenberg’s new Off-Broadway play Asuncion, which opens October 27 at the historic Cherry Lane Theatre (directed by Kip Fagan and produced by The Rattlestick). To mark the launch of these two latest projects, Mana was kind enough to do an email interview, where we also discuss her plans for new projects allowing her to pursue additional writer-producer opportunities as well as her additional upcoming film releases.
How many pages did you get into Talton Wingate’s script for Norman before you realized you wanted the role of Helen Black?
I’d say that within the first 5 to 10 pages, I knew I would love to be a part of the project. I think you always know within the first 10 pages if you’re attracted to a piece. Just like first impressions in life- you know early on whether or not you’re hooked on something. All good screenplays establish tone and the world of the story in their opening beats. I remember writing my agents, saying I loved the screenplay, because this is exactly the kind of movie that I love to watch!
Podcast to Download: Running Dialogue
I love listening to podcasts as I do yard work. So last weekend, I enjoyed the October 1 edition of Running Dialogue, Creative Loafing’s Podcast About Movies, as I mowed the lawn. The podcast is hosted by longtime friend (and Creative Loafing pop culture critic [not his official title, just my label]) Curt Holman along with Collider‘s Matt Goldberg and /Film‘s Russ Fischer.
Last week’s episode partially focused its attention on the Aaron Sorkin/David Fincher film, The Social Network. Holman, Goldberg and Fischer did more than review the film, though, as they actually provided some great perspective on Facebook trends in general. Over the years, Holman’s periodic presence on local AM/arts radio has allowed his vocal chops to mature immensely. As my friend, I’ll admit my bias, but he is my favorite of the three hosts.
At present they’ve recorded 17 episodes and I heartily recommend you give the show a listen.
Atlanta Jewish Film Festival
The Eighth Annual Atlanta Jewish Film Festival (AJFF), which runs from January 16-27, 2008, is positioned to offer a substantial variety of choices to 2008 AJFF attendees. To fully grasp the scope of this year’s AJFF, I posed a series of questions to Kenny Blank, AJFF’s Executive Director, and he was kind enough to give me some insightful answers. My thanks to Mr. Blank for his time and to Becky Biggs for facilitating the interview.
Tim O’Shea: This year marks the eighth year of the festival-how much has the festival changed since it first launched in 2000?
Kenny Blank: While the goal remains the same, to use film to build bridges of understanding between the many different cultural and religious communities in Atlanta, our festival has grown in scope and complexity. In order to meet the expectations of both our audience and our sponsors, including our presenter the Atlanta Chapter of the American Jewish Committee, we have improved the post-film discussions, bringing in more filmmakers, actors and writers; we have expanded our outreach and publicity by using the most up-to-date technology; and we have worked hard to create a high-class festival atmosphere that makes all those attending feel like they are someplace special.


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