Posts Tagged Kaya Oakes
Live Nick Cave: Circa 1999
Posted by admin in Music, streaming video, Uncategorized on November 14, 2011
This video (sent to me by friend of the blog, Kaya Oakes) is a treat on multiple levels:
- Nick Cave on piano, playing his song Into My Arms
- The guy on the left at the beginning? John Cale
- The quality of Cave’s piano on this song
Kaya Oakes on Slanted and Enchanted: The Evolution of Indie Culture
Posted by admin in comics, commerce, Literature, Music, pop culture on November 18, 2009
In the introduction to her book, Slanted and Enchanted: The Evolution of Indie Culture, Kaya Oakes writes: “If we understand culture to mean something more than a style of music, a visual aesthetic, or a literary mode and try to define it from its Latin root, cultura—“to cultivate”— then we can see how indie artists have traditionally worked together to cultivate many things: credibility, freedom, the ability to promote their own work and to control how it’s promoted, self-reliance, open-mindedness, and the freedom to take creative risks. Likewise, if a culture is truly a group of people working and living together, independent artists have traditionally embraced the value of networking, making connections, and striving toward doing their art, their way. If being independent in your choices about what you listen to, look at, read, and watch implies a lack of compromise, then many of the people still making music and art independently would absolutely fit that definition. Indie’s ambiguity can partially be chalked up to its emphasis on making its participants feel individual and unique. But before any of us were able to be creatively independent, we had to build on the practice of our independent predecessors. Because indie’s history is in many ways a shadow history— one that parallels and reflects mainstream culture but also poises itself as being a subculture of outsiders— the threads connecting the twentieth- and twenty- first-century indie movements are not always readily apparent, especially in this day and age, wherein young artists face a plethora of choices about what kind of art they will make and how to distribute that art. Young fans often encounter art that builds on traditions of independence with which they may not be familiar.” (The entire intro can be read here at Oakes’ site). In the book, Oakes (who co-founded Kitchen Sink magazine) set out to examine the evolution of the indie movement and the scope of its impact. My thanks to Oakes for her time and insight into the DIY dynamics.

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