Posts Tagged Kindle
Hal Duncan on His Fiction, Other Creative Pursuits
Posted by admin in branding, Film, Literature, Music, philosophy, poetry, theater on August 18, 2010
I always appreciate when a friend of the blog broadens my area of knowledge by suggesting an interview subject. This week, thanks to a suggestion from Allison Baker (of MonkeyBrain Books), I present my interview with self-described strange fiction writer Hal Duncan. Here’s a snippet of Duncan‘s bio: “A member of the Glasgow SF Writers Circle, his first novel, VELLUM, won the Spectrum Award and was nominated for the Crawford, the BFS Award and the World Fantasy Award. As well as the sequel, INK, he has published a poetry collection, SONNETS FOR ORPHEUS, a stand-alone novella, ESCAPE FROM HELL!, and various short stories in magazines such as Fantasy, Strange Horizons and Interzone, and anthologies such as NOVA SCOTIA, LOGORRHEA, and PAPER CITIES.” In addition to discussing his theories on fiction as well as his work in general, he and I also discussed a musical recently produced that was written by him-and the experience of writing a screenplay. I always thank folks when they give me the honor of their valuable time, but I have to give Duncan an extra big thanks for the level of detail and consideration he gave to his answers.
Tim O’Shea: Your first novel, Vellum, was translated into several different languages. How much were you involved in that process? Can you think of any country where you were pleasantly surprised to find readers took strongly to the book?
Hal Duncan: With some of the translations I’ve had no involvement at all; with others there’s been a lot of back-and-forth. They’re not the easiest books in the world to translate by a long shot, I know; there’s all manner of poetic techniques, dialect, wordplay, even a mixture of mythical, historical, and alternate-history settings that means passing references could be authentic history or utterly spurious. I regard my translators with a mixture of shame at what I put them through and wonder at the fact they’re tackling it. So if there’s anything I can do to help, I’ll do it. It’s fascinating to see the process anyway.
Jack McDevitt on His Writing
Posted by admin in Literature, Uncategorized on July 29, 2009
When researching a subject, sometimes I struggle for ground to cover in the course of the interview. In the case of writer Jack McDevitt I struggled to narrow down what to discuss, given the rich diversity of his life. The man is the definition of experiencing life to its fullest. Consider his bio (which can be found here), in which one learns McDevitt “is a former English teacher, naval officer, Philadelphia taxi driver, customs officer, and motivational trainer. With the nominations of Infinity Beach, Ancient Shores, Time Travelers Never Die, Moonfall, Good Intentions (cowritten with Stanley Schmidt), Nothing Ever Happens in Rock City, Chindi, Omega, Polaris, Henry James, This One’s for You, and Seeker, Odyssey, and Cauldron, his work has been on the final Nebula ballot twelve of the last thirteen years. His first novel, The Hercules Text, was published in the celebrated Ace Specials series, and won the Philip K. Dick Special Award. In 1991, he won the first $10,000 UPC International Prize for his novella Ships in the Night. The Engines of God was a finalist for the Arthur C. Clarke Award, and his novella Time Travelers Never Die was nominated for both the Hugo and the Nebula. Omega received the John W. Campbell Memorial Award for best SF novel, 2003. McDevitt lives in Georgia with his wife Maureen, where he plays chess, reads mysteries, and eats lunch regularly with his cronies.” My thanks to McDevitt for an enriching email interview, and to Kevin J. Anderson for his advice making this interview partially possible.
Tim O’Shea: Back in 2005, in excerpts from a Locus Online interview of you, you admitted: “I’m worried about what’s happening in the United States now with the right wing.” How much would you say the political climate of the world inspires some of your fiction (if at all)? Are you more or less worried about the United States these days?
Jack McDevitt: It’s four years ago. I suspect I was thinking about the tendency of the right to substitute flag-waving for thought. The primary responsibility of a citizen in a democracy is to keep informed, and to recognize that authority figures of whatever political stripe need to be watched. And controled. An extreme example came when the President took us to war without presenting any evidence. I will never forget JFK going on TV when he was getting ready to impose the Cuban missile blockade. Here are the photos. There are the missile sites. These are the capabilities that these missiles will have. Etc. We never saw any of that from Bush. Trust me. Let’s go get Saddam. The Republicans, who are now so concerned about waste, got in line. And the Democrats, with few exceptions, put political expediency before the nation’s welfare, and also climbed on board. Then, after we’d killed God knows how many innocent Arabs -Remember Shock and Awe?-, we re-elected the administration. Before the world, the American people showed their approval of what we’d done.


Recent Comments