Apparently AT&T hired Werner Herzog to documentary about the dangers of texting and driving, available on YouTube, called From One Second to Next. Not surprisingly, the film legend does a damn good job with it, taking four stories ranging from the perspective of victims and those texting. It is haunting, just as described by the Slate post that made me aware of it.
I am guilty of checking email as I drive, I will admit that. I need to stop because my luck is going to run out someday. I could have been in this documentary.
There are so many highlights to this PBS American Masters documentary, Mel Brooks: Make a Noise. To name a few of them: Brooks recounts when he realized the full measure of what Hitler did to the Jews; how he used comedy to belittle Hitler; and finally, The Producers (the musical) director/choreographer, Susan Stroman, recounting how Brooks’ humor helped her cope with the death of her husband, Mike Ockrent.
Tim O’Shea: Was it hard to track down folks that had worked on the production of his show, or are many of them still active in the industry today?
Jeremy Newberger: Finding the producers of “The Morton Downey Jr. Show” was easy. Getting them to overlook twenty years of repressed rage and therapy bills was a little trickier. Most of them are still in production on everything from theSPEED Network to “The Ellen DeGeneres Show.” Show creator Bob Pittman is now CEO of a little company called Clear Channel.
There are few cultural obsessions that annoy me more than the public’s fascination with finding out the so-called truth about the JFK Assassination. Was the event a tragedy? You bet. But a sure fire way to get me to flip a channel is to be a documentary about the event. There’s only one person that could get me to watch a JFK Assassination-related documentary: Errol Morris. Damn you, New York Times, you sucked me in with this OpDoc.
Here’s hoping Morris dedicates himself to a larger related project on the subject. In the interim, I could watch Tink Thompson tell stories all day long. The man can work a camera.
Thanks to a reader, Stephanie Williams, who wrote in to make me aware of an interview with documentary maker Ken Burns that aired on a WPSU-TV program called Conversations from Penn State(hosted by Patty Satali). [Full disclosure, in contacting me, though she did not specify her association, I assume that Williams is somehow connected to the show. Either way, I’m appreciative of her making me aware of the show.]
I’m not a big fan of Ken Burns documentaries. They are important projects that are thorough and well researched, no doubt. But they are just too dry for me. Maybe I need to revisit them, particularly given my affinity for baseball–and his project of the same name.
Whenever I discover a gap in my television/pop culture culture, I have an immediate need to fill that gap. Aviva Kempner‘s documentary, Yoo-Hoo, Mrs. Goldberg, was an important person and project I knew nothing about. To fill this information chasm, I contacted Kempner for an email interview. As detailed at the Cielsa Foundation website: “Ciesla Foundation produces and distributes award-winning films about strong and important, but often unknown, Jewish heroes. Its mission is to educate and inform audiences about social and public interest issues of the past and present through storytelling and filmmaking….Award-winning filmmaker Aviva Kempner, whose credits include Yoo-hoo, Mrs. Goldberg, Today I Vote for My Joey, The Life and Times of Hank Greenberg, and Partisans of Vilna, is Ciesla’s director and founder. Yoo-Hoo, Mrs. Goldbergchronicles the “humorous and eye-opening story of television pioneer Gertrude Berg. She was the creator, principal writer, and star of The Goldbergs, a popular radio show for 17 years, which became television’s very first character-driven domestic sitcom in 1949. Berg received the first Best Actress Emmy in history, and paved the way for women in the entertainment industry.” My thanks to Kempner for her time. I hope the interview motivates you to donate to the foundation and to Kempner’s efforts.
Tim O’Shea: I’m sure you have many ideas for subjects to pursue, but after wrapping 2002’s Today I Vote for My Joey how many concepts (ballpark figure) did you consider and set aside before deciding upon Yoo-Hoo, Mrs. Goldberg?
Aviva Kempner: I was thinking about doing a few dramatic scripts and did not get much further than research. I also had a couple more documentary ideas but none were fundable at first glance. Another one did receive research funds and am now happily back on working on that film on The Rosenwald Schools. Once I went to the Jewish Museum in New York’s exhibit of Jews Entertaining America and saw the Molly Goldberg living room I knew that was my next film project.
Back in January 2009, I had the pleasure to interview Morgan Dews about his documentary, Must Read After My Death. It was quite enjoyable getting to watch the documentary then, and I was pleasantly surprised when he emailed me this week to let me know his work was available on DVD.
As noted at his website, the DVD (stuffed with great extras) can be bought for $20– and/or snag the original movie poster ($20) from Dews directly (“who gets to keep the proceeds!” Dews was quick to add and offer to sign for an extra buck). To order it, you can send an email to Dews at info AT mustreadaftermydeath.com (I’m trying to spare Dews some spam here, please be sure to place a proper “@” in place of ” AT ” when you email him) to place a direct order with him. Or, if you prefer the comfort of Amazon for $19.99, you can go that route. Other options include watching online at Gigantic Digital for $2.99; iTunes for $9.99; and in the near term–Netflix (soon, according to Dews).
It’s been nearly a year since I watched the documentary, and parts of it were some powerful, it still lingers in my mind. See this documentary, please.
According to Brian Stelter over at the NYTimes’ Media Decoder (and as confirmed by Discovery Channel’s own press release), Oprah Winfrey “will narrate Discovery Channel’s all-new 11-part series LIFE, set to premiere in March 2010″.
Does she actually need the money and isn’t she running the risk of overexposing herself? OK the latter part of that question is truly absurd, I’ll admit. Once you have the power to set up a school in a foreign country and are in the process of developing your OWN cable channel (no really its her OWN channel as in “Oprah Winfrey Network”) with Discovery (to replace Discovery Health) in 2010, you really cannot be overexposed.
If you have ever heard Oprah introduce Doris Kearns Goodwin enthusiastically (as she did around the time of Obama’s inauguration, when Kearns Goodwin appeared as a panelist) you know that Oprah can even make sedate presidential historians sound as exciting as the day Tom Cruise was hopping on Oprah’s couch. With that kind of voice power and sometimes (seemingly oddly placed) enthusiasm, I must admit I look forward to hearing what kind of intonation she’ll opt for when tackling subjects like “the star-nosed mole that hunts underwater using bubbles to smell its prey, to epic spectacles, including millions of fruit bats darkening the Zambian sky”. I just like to imagine here saying, as a teaser: “Next week’s episode, we visit with the star-nosed MOOOOOOOOOOLE!”
I really love it when I stumble across a project accidentally and get hooked on the concept immediately. And thanks to iMDB, that recently happened when I learned about director Noah Hutton‘s and producer Sam Howard‘s documentary, Crude Independence. What really struck me about the project was how effectively Hutton and Howard have marketed the documentary through YouTube, Facebook, and Flickr (and other online venues). So, after gathering as much info as I could, I contacted Hutton and Howard to see if they would be interested in an email interview. They were, fortunately.
“Crude Independence is a documentary film about the heartland in the process of transplanting itself, and its new heart is pumping oil. In 2006, the United States Geological Survey estimated there to be more than 200 billion barrels of crude oil resting in a previously unreachable formation beneath western North Dakota. With the advent of new drilling technologies, oil companies from far and wide are descending on small rural towns across the state with men and machinery in tow. Director Noah Hutton takes us to the town of Stanley (population 1300), sitting atop the largest oil discovery in the history of the North American continent, and captures the change wrought by the unprecedented boom. Through revealing interviews and breathtaking imagery of the northern plains, Crude Independence is a rumination on the future of small town America— a tale of change at the hands of the global energy market and America’s unyielding thirst for oil.”
And follow this link, to see which festivals will be screening the documentary in the coming months. One more detail–you have to respect any project that is executive produced by Jonathan Demme.
February 2, 2009 Update: Hutton emailed me over the weekend to let me know the documentary, Crude Independence had been selected for the 2009 SXSW Film Festival, where it will be part of “the Emerging Visions competition, highlighting first-time and up and coming filmmakers.” Congrats to Hutton and Howard (along with the rest of the Couple 3 Film crew).