Posts Tagged interview
David N. Meyer on Gram Parsons Biography
Posted by admin in Music, Uncategorized, biography, nonfiction on August 25, 2010
Over the past few years, my increasing interest in Americana music has prompted me to explore its roots. This exploration recently led me to David N. Meyer‘s book, Twenty Thousands Road: The Ballad of Gram Parsons and His Cosmic American Music. As a Georgia native, it surprised me to learn that Parsons spent his earliest years in Waycross, Georgia. But that’s far from the only thing I learned in this engaging book. Meyer was kind enough to discuss the book and his research process in this recent email interview.
Tim O’Shea: In writing about Parsons’ life, considering that his musical career was essentially 10 years, were you surprised you were able to devote 300 pages to that aspect of his life or could you have written more if you had had the time and space (in publishing terms)?
David N. Meyer: I had to be conscious of holding back from writing too much. I found pretty much every detail fascinating, and given how compressed GP’s career was, illuminating as well. And it’s tempting to include every nugget; ask any biographer. So, no, I was not surprised.
O’Shea: Most biographies don’t sport encyclopedias. What motivated you to do one?
Meyer: I imagined a 15-year-old finding this book 15 years from now, and not having any idea who a number of the mentioned musicians, family members and cultural figures were. While ample web resources exist, I wanted to provide context. It’s that completist thing, too. I wanted readers to be able to instantly read and contextualize anyone mentioned in the book. It was also a lot of fun to write.
Hal Duncan on His Fiction, Other Creative Pursuits
Posted by admin in Film, Literature, Music, branding, philosophy, poetry, theater on August 18, 2010
I always appreciate when a friend of the blog broadens my area of knowledge by suggesting an interview subject. This week, thanks to a suggestion from Allison Baker (of MonkeyBrain Books), I present my interview with self-described strange fiction writer Hal Duncan. Here’s a snippet of Duncan‘s bio: “A member of the Glasgow SF Writers Circle, his first novel, VELLUM, won the Spectrum Award and was nominated for the Crawford, the BFS Award and the World Fantasy Award. As well as the sequel, INK, he has published a poetry collection, SONNETS FOR ORPHEUS, a stand-alone novella, ESCAPE FROM HELL!, and various short stories in magazines such as Fantasy, Strange Horizons and Interzone, and anthologies such as NOVA SCOTIA, LOGORRHEA, and PAPER CITIES.” In addition to discussing his theories on fiction as well as his work in general, he and I also discussed a musical recently produced that was written by him–and the experience of writing a screenplay. I always thank folks when they give me the honor of their valuable time, but I have to give Duncan an extra big thanks for the level of detail and consideration he gave to his answers.
Tim O’Shea: Your first novel, Vellum, was translated into several different languages. How much were you involved in that process? Can you think of any country where you were pleasantly surprised to find readers took strongly to the book?
Hal Duncan: With some of the translations I’ve had no involvement at all; with others there’s been a lot of back-and-forth. They’re not the easiest books in the world to translate by a long shot, I know; there’s all manner of poetic techniques, dialect, wordplay, even a mixture of mythical, historical, and alternate-history settings that means passing references could be authentic history or utterly spurious. I regard my translators with a mixture of shame at what I put them through and wonder at the fact they’re tackling it. So if there’s anything I can do to help, I’ll do it. It’s fascinating to see the process anyway.
Edie Carey on Bring The Sea
I have wanted to interview urban folk/pop singer/songwriter Edie Carey since seeing her in concert at Cayamo this past February. She’s got a new album set for release by late October 2010, called Bring The Sea. In preparation for its release (and thanks to Carey for her time [as well as Concerts in Your Home founder Fran Snyder for putting me in contact with Carey]) we discussed her music in this brief email interview.
Tim O’Shea: When a singer/songwriter goes to a country like Tanzania for two weeks on vacation as you recently did, do you typically get inspired to write a song or two. Or when you take a vacation do you decide to give your songwriting part of your brain a break as well?
Edie Carey: I definitely relished the opportunity to get on a plane without my guitar in tow for once. I love my job, but it can make me a bit single-minded sometimes. It’s good to remember the things that I loved to do before I ever started doing this….camping, exploring other countries, learning about history, architecture, science….It was a great mental break after finishing the new album.
Matthew Sturges on Midwinter, The Office of Shadow
Posted by admin in Literature on August 4, 2010
Novelist and comics writer Matthew Sturges recently spared some time to discuss his 2009 novel, Midwinter (2009) and its sequel, The Office of Shadow, which was released in June by Pyr. The Office of Shadows is “a group of covert operatives given the tasks that can’t be done in the light of day … The new leader of the ‘Shadows’ is Silverdun. He’s the nobleman who fought alongside Mauritane at Sylvan and who helped complete a critical mission for the Seelie Queen Titania. His operatives include a beautiful but naïve sorceress who possesses awesome powers that she must restrain in order to survive and a soldier turned scholar whose research into new ways of magic could save the world, or end it.” Discussing the mechanics of Sturges’ approach to his novels made this interview quite enlightening for me.
Tim O’Shea: Do you still get a kick out of reading the Library Journal review of last year’s release, Midwinter, which included the line: “Joining Neil Gaiman in making the crossover from comics to prose fiction, Sturges represents a strong, new voice in fantasy.”?
Matthew Sturges: I’ll take any review that puts my name along with Neil Gaiman’s in the same sentence. I realize that it doesn’t create an actual equivalency, but it’s definitely a nice thing to read. It’s true, though, that there aren’t many writers who do both prose and comics. As far as being a “strong new voice in fantasy,” again I’ll take it, but it’s hard to feel “new” when I’m three months shy of forty.
Anna David on Reality Matters
Posted by admin in Reality programs, pop culture on July 28, 2010
You might recognize Anna David (blog, Twitter) from several different forms of media, including her novels; her freelance pieces for countless newspapers, magazines and websites; or her four-year stint as the sex and relationship expert on G4’s Attack of the Show. This past April saw the release of an anthology on reality television (conceived and edited by David), Reality Matters: 19 Writers Come Clean About the Shows We Can’t Stop Watching. I was lucky enough to recently email interview David about the anthology.
Tim O’Shea: Did you let the contributors pick which reality show they wrote about? Or did folks have to fight over who got to write about American Idol or Sober House?
Anna David: I asked each writer I contacted to tell me the show that either resonated the most with them or had changed their perspective in some way. Several people had a lot of shows they were considering covering and we’d talk it out and try to figure out which sounded like it would make the best essay. With Idol, I happened to know the world’s greatest expert on it – my friend, Richard Rushfield, who covered Idol for the L.A. Times and is now doing a book on the show. So there was no one else who could do that one. There were a couple fights over The Hills, though. And even some over Real World, but I pulled rank on that one.
Jennifer Haase on No More Invitations
My musical realm of knowledge continually grows thanks to social networking. Singer/songwriter Jennifer Haase is the latest example, having been introduced to her music via her Twitter account. This September will mark the release of Haase’s latest album, No More Invitations. It was interesting to talk to an artist like Haase, given that she recently walked away from Corporate America to commit fully to her musical career. We discuss that transition, as well as the fundraising effort for her upcoming release and her overall approach to her music.
Tim O’Shea: How long has your upcoming album been in the works?
Jennifer Haase: It was spring 2006 when my record producer Mike Leslie and I shook hands with a plan to start this record together. If we’d known then what we know now, ha! It’s been 4 amazing, enlightening, tumultuous music-making years with him and my recording engineer Robert L. Smith. I told Mike recently that I feel like this project has weaved itself into the fabric of our lives.
O’Shea: Which has been harder, raising the funds to make the album or recording the album itself?
Haase: Making the album has been much harder on me than the fundraiser. The Boys (Mike & Robert) can confirm that I’m sometimes prone to impatience and bouts of self-doubt. With perhaps a teensy hair-thin sliver of perfectionism when it comes to my singing voice. Barely detectable beneath my joyous song-recording rapture, of course. A-hem.
Michael Streissguth on Always Been There: Rosanne Cash, The List & the Spirit of Southern Music
The heart of why I enjoy doing these interviews is when I get a glimpse into someone’s creative process. So you can imagine how interested I was when I found out that Michael Streissguth had written a book, Always Been There: Rosanne Cash, The List and the Spirit of Southern Music, about Rosanne Cash‘s making of her 2009 release, The List. As noted at the book’s site, Streissguth is “the author of Johnny Cash: The Biography, and five other books. His work has appeared in Mojo, the Journal of Country Music, and many other publications. He is a professor in the Department of Communication and Film Studies of Le Moyne College in Syracuse, New York, where he lives with his wife and family.” My thanks to Streissguth for this email interview–and I’m looking forward to reading his next book, given how much I enjoyed this one.
Tim O’Shea: How hard is it to know when to pull back when covering an artist’s life? For example, I felt uncomfortable reading the book when an incident occurred at Rosanne Cash’s son’s school (ultimately revealed to be the death of a
classmate). Did you hesitate to include that in the book?
Michael Streissguth: It’s not hard to pull back when an event seems superfluous. I did hesitate to include the part about her son, but ultimately I felt it would help readers understand that Rosanne is a caring mother who has to deal with the same kind of challenges that parents everywhere face.
Andy Levine on Sixthman
If I was not already blessed with a great full-time job and a spectacular boss, I imagine Sixthman founder Andy Levine would be my ideal kind of boss. In 2001, Levine established the Atlanta-based self-described “affinity travel company … that creates unique experiences by bringing together like-minded people in exclusive, interactive and intimate environments … Sixthman currently delivers experiences aboard cruise ships for more than 30,000 fans of artists such as John Mayer, Barenaked Ladies, Lyle Lovett, Emmylou Harris, Lynyrd Skynyrd, Jillian Michaels, and Sister Hazel”. I first became aware of Sixthman in 2009, when my wife and I signed on for Cayamo 2010, the journey of song, which I blogged about here, here and here. Coming out of the cruise, with some invaluable assistance from Sixthman’s Becki Carr, I was able to question Levine about Sixthman. My thanks also to Levine for his time and thoughts. And lest you need convincing how much I like Sixthman and Cayamo in particular, my wife and I have already committed to our cabin for Cayamo Cruise 2011.
Tim O’Shea: Cayamo 2010 was a different experience for you, in one way, as you were on vacation with your family, rather than running the event. How odd and/or refreshing did that feel to experience in that way?
Andy Levine: It was an extremely vulnerable yet liberating moment, because I was scared that I was not needed anymore. Then I was also really proud to see everyone step up and do such a great job–not that they don’t always step up. But for me, the best part was that I got to be a guest and I got to feel a little bit about what I think our guests feel–which is that: “When it’s working, it’s working. It’s right.” I got to experience that and it was awesome.
CJ Wallis on Please Subscribe
Posted by admin in Film, late night TV, streaming video on June 30, 2010
The basic concept of the Please Subscribe documentary (“Please Subscribe follows YouTube celebrites David Choi, Happy Slip, Daxflame, and Tay Zonday as they discuss how online media and YouTube has affected each of their lives and the face of entertainment.“) sparked my interest fairly quickly. The documentary, made by CJ Wallis and the Soska Sisters, hopes to play at several film festivals in the near to long term. I recently conducted an email interview with Wallis. In addition to this documentary, according to Wallis: “I recently directed/edited/conceived the forthcoming Sarah Slean music video and am currently in development on my debut feature film, Frank Flood. The girls are getting a ton of attention for Dead Hooker In A Trunk and are currently in development on two scripts. I also have some original music under the label Elective, which is also going rather well.”
Evan Drake Howard on The Galilean Secret
Posted by admin in Literature, philosophy, religion, spirituality on June 24, 2010
I am grateful to my parents for many gifts, but I rank my Catholic education/upbringing and intellectual curiosity as among some of the best. While Evan Howard, the author of The Galilean Secret (released last month), are not of the exact same religion (he is the pastor of the Community Church of Providence [Rhode Island), given that we are both Christians and that he is even more intellectually curious than myself (as well as the owner of a doctorate in theology from Boston University)–well it made for a great interview. In this email interview we discuss his novel–which is described as follows:
“When Karim Musalaha, a Palestinian on the run, seeks refuge in a forgotten cave near Qumran, he discovers a half-buried clay jar that contains a fragile scroll. His quest to discover its origins takes him on a high-speed chase through hostile Jerusalem and West Bank neighborhoods. Caught between his brother’s relentless ambition for martyrdom and the forbidden love of a Jewish woman with ties to the highest levels of the Israeli army, he must choose between honoring his father and betraying him to serve a higher purpose.
The scroll’s message also resonates with Judith of Jerusalem, a first century Jewish woman who, under the cover of darkness, gallops into the desert with the brother of the man she was betrothed to marry. When her allegiance to the burgeoning Zealot revolution pits her against the Roman occupiers and their priestly collaborators, Judith sees the cruelty of war and realizes her mistake. But is it too late for her to escape and find forgiveness? A letter written by a mysterious Galilean rabbi holds the answers, but the Romans have placed a price on his head. Should she risk her life for a rabbi she hardly knows, or risk her soul for a cause and a man whose beliefs she now rejects?
Bound by a letter that spans two millennia, both Karim and Judith will either succumb to hatred, violence and hopelessness, or reveal a wisdom that could save us all.”
I’m grateful to Howard for his valuable time and thoughts, as well as Kelly Hughes for facilitating the interview. Go here to read the first chapter.
Tim O’Shea: Tackling two plots with historical complexities in one book is fairly ambitious. How much revision/aggressive editing was involved in the pursuit of balancing the respective narratives and their unique pacing for both stories?
Evan Howard: The decision to include plots in two different time periods came about unexpectedly. As a first-time novelist I didn’t plan to use this method because of the difficulties involved, but readers of an earlier version of the book (which I had self-published) expressed frustration that I hadn’t resolved what happened to Karim, the Palestinian student who appears in the first chapter, the action of which takes place in the present. Since the rest of the novel happens in the time of Jesus, at first I resisted developing Karim’s story because I thought it would be a very complicated undertaking, but the more I thought about it, the more I saw that having two time periods and multiple plots could make the novel more multi-dimensional and increase its suspense. This process required that I write fifteen new chapters and blend them with the historical material. It took me about seven months to do this and involved a great deal of revising and editing along the way. Once I entered into this process, I found it highly challenging but also a lot of fun—like working on a giant literary jigsaw puzzle. Since there is a lot of action in both stories, the issue of pacing wasn’t a major problem.









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