Posts Tagged Twitter
I am happy to announce that thanks to my finally mastering WordPress widgets, after a few years of ineptitude, I am now able to keep this blog a smidge more fresh.
How may you ask?
Look to the right of this post. Hopefully you should see my Tumblr and Twitter feeds. While I am striving to develop more interviews for this blog, in the interim, my RSS feeds should hopefully equally entertain my long-time readers.
But today’s Atlanta Braves win (which was more of a Miami Marlins loss), can best be summed up with this tweet.
— Allan Turner (@ThisRedRocks) July 26, 2012
It amazes me, that as documented here, “Braves pitcher Tommy Hanson … allowed a career-high seven walks and seven stolen bases in five innings, but gave up just one run in a 7-1 win Wednesday afternoon at Marlins Park.”
And yet, there is a familiarity to his Tweets. Consider this.
— jimmy fallon (@jimmyfallon) January 3, 2012
Then oddly Dave tweets this
Great New Year’s party the other night.I think I left my LMFAO cd at your pad.Need that.Burn it & return it.
— Late Show (@Late_Show) January 3, 2012
I hope he keeps “jokingly” ripping off his fellow hosts.
What keeps me coming back to Cayamo is the opportunity to discover different musicians. This past year, one of the new musicians I discovered was Ellis Paul. Part of Paul’s band was an incredible piano and accordion player Radoslav Lorkovic. Over the next several days of the cruise, Lorkovic also turned up jamming with several other musicians. I meant to conduct this interview immediately after the cruise, but life events delayed my intentions. I was glad to finally conduct the email interview this week. Be sure to visit Lorkovic’s Facebook page, as he is indeed an impressive photographer (as we discuss) in addition to his musical prowess. This interview includes a new Talking with Tim milestone, a musician quoting NFL legendary coach Vince Lombardi.
Tim O’Shea: You are currently touring with Ellis Paul, what attracted you to working with Ellis?
Radoslav Lorkovic: Ellis has been a great friend through the years. Music is just a natural part of what is really a great ‘hang’ Being on stage is little different than having a drink at three AM in some ridiculous club laughing. The music, however, is quite serious and precise. It is presented without out the baggage of seriousness. He also plays everything in C sharp–for me the most difficult piano key. It’s a massive exercise in a way.
Man, he had been hyping it on Twitter for weeks and somehow I still forgot that Steve Martin was on The Late Show with David Letterman. I guess I will have to settle for some clips. First up, he discussed working with Paul McCartney.
And then I found this gem, thanks to the Huff Post.
Now if you’ll excuse me, I have to go yell at my Tivo for not randomly snagging this episode for me.
Longtime readers of the blog know how much I love music–and Americana music, in particular, has really grown on me in recent years. So when I found out about Beth Harrington‘s musical/historical documentary in progress, The Winding Stream: The Carters, the Cashes and the Course of Country Music, I immediately sought Harrington out for an interview. As noted at Harrington’s website: “The Winding Stream is the tale of the dynasty at the very heart of country music. Starting with the seminal Original Carter Family, A.P., Sara and Maybelle; this film-in-progress traces the ebb and flow of their influence, the transformation of that act into the Carter Sisters and Mother Maybelle, the marital alliance between June Carter and music legend Johnny Cash, and the efforts of the present-day family to keep this legacy alive.” Below is a Kickstarter video about the project. While the initial fundraising goal was recently met, as we discuss in the email interview, there’s additional work that needs to be funded. My thanks to Harrington for her time, as well as her willingness to discuss her own musical career.
Tim O’Shea: How far along are you in the production of this documentary? While you have met your Kickstarter goal, can you estimate how much more you hope to raise to help cover “Editing, sound design, music and footage rights, animation, graphics and titles” expenses?
Beth Harrington: The Kickstarter funds will allow us to film our last several days of interviews and performances if we’re careful. Beyond that we need to raise several hundred thousand more to do all the other things I mentioned. But that sounds daunting and has been counterproductive until now, so we’re trying to deal with the film in chunks. 1) Finish shooting. 2) Refine the edit. 3) Complete the graphics, animation and titles. 4) Deal with the rights issues. 5) Finish sound design and other post production. We’re waiting to hear on a grant from the National Endowment for the Arts. We’re also looking for one or more corporate underwriters (sponsors) who would want to be associated with the film. And then there are a couple of possible distribution deals we could access when we get close to being finished. But meanwhile we’re mostly relying on crowdfunding – individual donations – to get us to the next steps.