Archive for category Literature
Anna Trodglen & Anthony Owsley on Little Red Riding Hood
Posted by admin in Literature, Music on May 2, 2012
Little Red Riding Hood
Next Friday, May 11, Anna Trodglen, creator of the online comic strip Biscuits & Bellyrubs, will unveil her translation and illustration of Little Red Riding Hood, the classic children’s story, from the original German. The book celebration is set to be held at the Young Blood Gallery (636 N Highland Ave. Atlanta, GA 30306/404-254-4127), from 6 to 9 PM. As befits a children’s book, kids are encouraged to attend (bring the parents of course) the gathering, where snacks and sodas will be served. As an added bonus, Anna’s musical collaboration with husband Dugan Trodglen and John Armstrong (aka the legendary band, DQE) will perform a set. In anticipation of the event, Anna and the book’s designer/letterer Anthony Owsley allowed me to email interview them. (Eagle eye readers will note this marks the second time I have gotten to interview Anna [the first time being in 2010]) My thanks to Trodglen & Owsley for the interview.
Tim O’Shea: What inspired you to tackle Little Red Riding Hood, rather than translating one of the myriad other German folklore tales?
Anna Trodglen: I wanted to do Little Red Riding Hood because I was really drawn to the Wolf. He seemed very interesting and as a dog relative he was appealing to me. I also liked the limited number of cast in the story and that there were three distinct female characters.
Crickett Rumley on Never Sit Down in a Hoopskirt and Other Things I Learned in Southern Belle Hell
Posted by admin in comedy, Literature on April 19, 2012
Never Sit Down in a Hoopskirt and Other Things I Learned in Southern Belle Hell
When a mutual friend told me about Young Adult novelist Crickett Rumley‘s 2011 book, Never Sit Down in a Hoopskirt and Other Things I Learned in Southern Belle Hell, I immediately decided I had to email interview the author. Here’s the official scoop on the book: “Expelled from thirteen boarding schools in the past five years, seventeen-year-old Jane Fontaine Ventouras is returning to her Southern roots, and the small town of Bienville, Alabama, where ladies always wear pearls, nothing says hospitality like sweet tea and pimento cheese sandwiches, and competing in the annual Magnolia Maid Pageant is every girl’s dream.
“But Jane is what you might call an anti-belle, more fishnets and tattoos than sugar and spice. The last thing on her mind is joining the Magnolia Maid brigade and parading around town in a dress so big she can’t fit through a door. So when she finds herself up to her ears in ruffles and etiquette lessons, she’s got one mission: ESCAPE.”
This interview was conducted in late 2011. My thanks to Rumley for her time and humor.
Tim O’Shea: When did you first realize you derived creative satisfaction from writing teen comedy?
Crickett Rumley: Being a teenager is one of the most terrifying states of existence on earth. At least it was for me. On some level, everybody feels awkward and is searching for who they are, whether they are the most popular girl in school or the computer geek who hides in the corner and only comes out to answer calculus questions. Under those conditions, emotions run at full velocity – the highs are stratospheric, the lows are deeper than the sea. Everything means everything. So I’ve always felt that period in a character’s life is ripe for story-picking.
Tom Williams on The Mimic’s Own Voice
Posted by admin in comedy, Literature on March 27, 2012
The Mimic’s Own Voice
Tom Williams’ novella, The Mimic’s Own Voice, was released in 2011. Williams was kind enough to entertain a few questions of mine in this email interview (conducted in early December 2011). Williams’ story is a quirky consideration of mimicry and biography. And I’m not just saying that because of the kind sentiment he expresses at the start of the interview. As noted in his bio: “A former James Michener Fellow, he has received individual artist fellowships from the Wisconsin Arts Board and the Arkansas Arts Council. He currently is an associate editor of American Book Review” and Department Chair/Professor of English at Morehead State University. My thanks to Williams for his time and thoughts as well as Susan Henderson for helping to arrange this interview.
Tom Williams: Tim, let me first say thanks for agreeing to do this interview. One of the great things about having a small press book is that I’ve been required, pretty much, to do a lot of my own publicity. Yet I get to meet (in this virtual way) people like yourself, who do so much for writers and, it seems to me, receive so little in return. I hope I don’t stumble too much over these great questions.
Tim O’Shea: In developing this story, how early did you realize it was best suited as a novella, as opposed to a novel or short story?
Williams: As evidence of my unerring commercial intuition, I knew almost right away that it was a novella. The opening lines had a certain kind of tone and were pointing toward an almost historic sweep. I thought for a time it might be a novel but sensed the appropriate length was short of novel length after I had gone through, for the first time, my comedy history–from the one liner royalty to the vernacular story tellers to the mimics to the social critics to, finally, the observational comics. To flesh it out too much would, I thought, ruin the joke, and to try to bring it in under 30 pages would leave too much out.
Masha Hamilton on Afghan Women’s Writing Project
Posted by admin in Literature on December 15, 2011
This email interview with Afghan Women’s Writing Project (AWWP) founder, award-winning author Masha Hamilton, was set months ago, but I dropped the ball. In a sense, though, I am glad that this interview was delayed. This time of year, I like to think people are more charitable. So once you read about the AWWP, an organization devoted to giving Afghan women the ability to voice their opinions without the filter of male relatives or the media–and visited the AWWP website–I hope you consider donating to its cause. My thanks to Hamilton for her time and thoughts, as well as to AWWP’s Lynn Harris for helping to arrange this email interview.
Tim O’Shea: In a sense, do you think mentors benefit almost as much from the experience as the contributors?
Masha Hamilton: Absolutely. A bridge is being built between Afghan women and both mentors and readers abroad that I think is important to both sides. To read some of the mentors’ comments on our site, look here. Here is one quote from Stacy Parker Le Melle, but you can pick any one you’d like:
“Magical. How else to describe sitting at my computer in Harlem, USA, and connecting with young women in Afghanistan, women who want to better themselves as communicators so that they can be heard at home and all over the world? I cannot thank Masha Hamilton and her partners enough for creating this cyberspace classroom. At times, it feels like we’re meeting in our dreams.”
Katie Roiphe’s Essay on David Foster Wallace’s Syllabuses
Posted by admin in academics, Literature on November 28, 2011
Katie Roiphe’s essay about the late David Foster Wallace’s syllabuses at Slate fascinates me on two levels. First, that in this digital age, with one click of the button I can access the syllabus of a professor (for a class I never took at a college I never attended). Secondly, the content of the documents themselves are eye-opening, for the assertive way (noted by Roiphe) that Wallace addresses his students. Consider this excerpt:
Students of course love teachers who step out of the formality of academic life, who comment on it, but very few do so as more than theater. Very few commit to it the way David Foster Wallace commits to it. “This does not mean we have to sit around smiling sweetly at one another for three hours a week. … In class you are invited (more like urged) to disagree with one another and with me—and I get to disagree with you—provided we are all respectful of each other and not snide, savage or abusive. … In other words, English 102 is not just a Find-Out-What-The-Teacher-Thinks-And-Regurgitate-It-Back-at-Him course. It’s not like math or physics—there are no right or wrong answers (though there are interesting versus dull, fertile versus barren, plausible versus whacko answers).”
Go read the article, follow the links. It’s fun stuff.
Novelist David Liss on The Twelfth Enchantment
Posted by admin in Literature on November 2, 2011
Article first published as Novelist David Liss on The Twelfth Enchantment on Technorati.
The Twelfth Enchantment
In David Liss‘ new novel, The Twelfth Enchantment (Random House), he has decided to mix historical fiction with a dash of magic and the surprise presence of Lord Byron for good measure. Set in early 1800s England, Liss constructs a tale of the young down-on-her-luck Lucy Derrick who fears her best option may be to marry an unappealing fellow. Add to the story’s mix a battle between the Industrial Revolution and Luddites. Liss is clearly an author that loves to research his subjects–and fortunately enjoys discussing his latest novel in this interview.
Not every novelist, even one known for his historical fiction, would tackle the Luddite Uprising–how did you decide upon utilizing that historical event?
It developed naturally from my interest in wanting to write about the economics of the Regency period. I’ve always been drawn to significant moments in the history of capitalism, as well as labor history, so the Luddites were a perfect fit for my interests. Guys who express their anger at the system by breaking machines and burning down buildings? That always makes for a good story! Most people think of Luddites as people who hated technology, but that wasn’t the case. They were skilled laborers who were being left behind by the industrial revolution. Communities where artisans had supported their families for generations were being destroyed by the factory system. This was serious stuff.
Novelist Diana Abu-Jaber on Birds of Paradise: A Novel
Posted by admin in Literature on September 8, 2011
Birds of Paradise: A Novel
Article first published as Interview: Novelist Diana Abu-Jaber on Birds of Paradise: A Novel on Blogcritics.
If you are a regular listener to NPR, you likely have heard one of novelist Diana Abu-Jaber‘s frequent essays. Next week (September 6, to be exact) marks the release of the award-winning author’s newest novel, Birds of Paradise [Editor's note: Of course, the book is out as of this past Tuesday]. While I was already aware of Abu-Jaber, thanks to NPR, I did not realize she had finished her new book until an early July tweet by Bethanne Patrick (aka @thebookmaven). Soon after learning of the new novel, I reached out to Abu-Jaber for an email interview–and she was more than happy to entertain my queries. As described by her publisher (W. W. Norton & Company): “In the tropical paradise that is Miami, Avis and Brian Muir are still haunted by the disappearance of their ineffably beautiful daughter, Felice, who ran away when she was thirteen. Now, after five years of modeling tattoos, skateboarding, clubbing, and sleeping in a squat house or on the beach, Felice is about to turn eighteen. Her family—Avis, an exquisitely talented pastry chef; Brian, a corporate real estate attorney; and her brother, Stanley, the proprietor of Freshly Grown, a trendy food market—will each be forced to confront their anguish, loss, and sense of betrayal. Meanwhile, Felice must reckon with the guilty secret that drove her away, and must face her fear of losing her family and her sense of self forever.” In addition to the book, we also delve into her recent mention in a New York Times piece on email manners.
How early in the development of Birds of Paradise did you realize it had to be set in Miami–and what appealed to you in terms of setting it there?
Miami was present from the very first page. My husband and I moved to Miami eight years ago and I knew I wanted to use it as a setting. Ever since my second novel, Crescent, I’ve been very inspired by sunlight and water and I always like to use a strong setting for my stories– like the city of Syracuse and the blizzard that seems to keep blowing throughout Origin, my third novel. Birds of Paradise is a reflection of Miami’s many layers– its outward dazzling tropical colors and beauty, its racial and cultural collisions. I’m fascinated by that complexity and challenged by it. Setting my new novel here gave me a way to reflect on my adopted city and to push myself to learn more about it.
Just Discovered: Largehearted Boy
Posted by admin in Literature, Music, pop culture on August 30, 2011
So a few weeks back, I discovered a website that’s been knocking around for quite awhile, Largehearted Boy. To be honest, I discovered the website after it linked to my Kevin Wilson interview from two weeks ago. (Thanks for that, Largehearted!)
But once I discovered the main mission of the website: “Largehearted Boy is all about sharing the love I have for music, literature, and popular culture. A true labor of love, the site now features every day daily downloads of free and legal music as well as shorties (daily music, literature, geeky and popular culture news). ” I realized it was a site I should be visiting more frequently. And if you love pop culture as much as I do, you should visit the site as well.
Novelist Kevin Wilson on The Family Fang
Posted by admin in comics, Literature, Music on August 17, 2011
The Family Fang
So last week, I ran across an NPR review of Kevin Wilson‘s debut novel, The Family Fang. The premise of the book (adult children returning to the scene of an absurd childhood where they were unwilling stars in their performance artist parents’ pieces) fascinated me. So I contacted Wilson to see if he was game for an email interview, fortunately he was. As longtime readers know, I really enjoy interviewing novelists–to get a better understanding of their craft. In this instance, when I started researching Wilson, there was an added bonus fun factor. I discovered Wilson’s wife is respected poet, Leigh Anne Couch. Couch and I went to high school together–and in fact she was one of the kind classmates who supported me in our senior year, when my father died. In fact, a few years back, Couch and I almost did an interview about her work for this blog, but family commitments (aka the birth of their child) delayed the interview. Hopefully one of these days, we’ll get back to that interview. In the meantime, I am pleased as hell to discuss The Family Fang with Wilson–I get the feeling this is the first of many creative successes for Wilson.
Tim O’Shea: Frequently I talk to authors that speak highly of the cover design for their book, but you are the first author I know to get the cover tattooed on your arm. When did you realize you wanted to commit the piece to flesh?
Kevin Wilson: I knew pretty much the minute that I saw Julie Morstad’s artwork for the cover that I wanted to get the tattoo. I thought it would be cool to get a tattoo that was connected to the novel. Before Allison Saltzman, Ecco’s book designer, showed me the cover design, I thought I might get four sets of fangs on my forearm, but when I saw Annie and Buster, I knew I wanted that on my arm.
Novelist Christopher Golden on The Shadow Men
Posted by admin in Literature on August 10, 2011
The Shadow Men
Article first published as Interview: Novelist Christopher Golden on The Shadow Men on Blogcritics.
Bestselling, award-winning novelist Christopher Golden is rarely at rest, considering that he typically writes or co-authors four novels in a given year. Or to consider it from another metric, as one bio notes: “There are more than eight million copies of his books in print.” Last month, Spectra released The Shadow Men, the fourth Hidden Cities novel by Golden and Tim Lebbon. Here’s an excerpt from the publisher’s description of the novel: “From Beacon Hill to Southie, historic Boston is a town of vibrant neighborhoods knit into a seamless whole. But as Jim Banks and Trix Newcomb learn in a terrifying instant, it is also a city divided—split into three separate versions of itself by a mad magician once tasked with its protection.
Jim is happily married to Jenny, with whom he has a young daughter, Holly. Trix is Jenny’s best friend, practically a member of the family—although she has secretly been in love with Jenny for years. Then Jenny and Holly inexplicably disappear—and leave behind a Boston in which they never existed. Only Jim and Trix remember them. Only Jim and Trix can bring them back.”
Not only do we discuss this novel in our email interview, but Golden also discussed his ongoing Peter Octavian series (the latest installment, Waking Nightmares, was released this past March) as well as his Young Adult novels (written under the name Thomas Randall), such as Spirits of the Noh (the second installment in his Waking trilogy). Longtime fans of Golden’s writing will be pleased to learn in this interview he has upcoming e-book plans for such series as Body of Evidence and Prowlers. They’ll also be enthused to learn he has plans to collaborate with bestselling author Charlaine Harris.
Once you’ve read the interview, be sure to visit Golden’s Amazon page, where you can glimpse inside The Shadow Men.
Creatively, what do you most appreciate about the opportunity to collaborate with Hidden Cities co-writer Tim Lebbon?
See, you caught me with the word “creatively.” I might’ve commented on his sexy accent or impeccable taste in ales. But, creatively…two things come to mind instantly. The first is that, though Tim and I are very simpatico, we do bring different sensibilities to our work. His take on characters and what they feel is often different from mine, and it forces us both to think. The story always benefits from that. The second thing is that Tim is comfortable with spontaneity and improvisation, and that is very hard to pull off when there’s more than one writer on a book. But we can talk on Skype, spitball ideas, and cause a story and its characters to grow organically. That’s exciting.
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