Archive for category Literature

Mark Teppo on The Mongoliad, Codex of Souls & More

Heartland

Heartland

I love the mixture of absurdity and accuracy in writer Mark Teppo‘s bio (from his site): “Mark Teppo suffers from a mild case of bibliomania, which serves him well in his on-going pursuit of a writing career. He also owns a pink bunny suit. Fascinated with the mystical and the extra-ordinary, he channels this enthusiasm into fictional explorations of magic realism, urban fantasy, and surreal experimentation. Maybe, one day, he’ll write a space opera. With rabbits.” We delve into a range of products in this email interview. My thanks to Teppo for his thoughts/time and to friend of the blog Allison Baker for introducing me in contact with Teppo. One of his collaborations, The Mongoliad, actually had its official launch earlier today, be sure to visit the site.

Tim O’Shea: As an urban fantasy author, I’m curious did you grow up in a city? What is it that attracted you to writing in the urban fantasy vein?

Mark Teppo: I grew up in a speck of a town out in the Mohave Desert, and spent a better part of my formative years in a towns under 100,000 people. It wasn’t until I moved to the Seattle area going on twenty years ago that I really arrived in a city, proper. I grew up on a diet of thrillers and mainstream mystery fiction, which always seemed to take place in big cities. In the classic “write what you know sense,” this is what I knew: all the action took place in the cities. As for the fantasy part, well, I didn’t think I knew enough about international politics and guns to write a convincing thriller.

O’Shea: In a recent essay about your writing, you said of Lightbreaker, the first book in the Codex of Souls series: “I was going to write an urban fantasy book without vampires, lycanthropes, zombies, angels, or demons.” When and why did you realize you wanted to approach the book without vampires, lycanthropes, zombies, angels, or demons?

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Hal Duncan on His Fiction, Other Creative Pursuits

Hal Duncan

Hal Duncan

I always appreciate when a friend of the blog broadens my area of knowledge by suggesting an interview subject. This week, thanks to a suggestion from Allison Baker (of MonkeyBrain Books), I present my interview with self-described strange fiction writer Hal Duncan. Here’s a snippet of Duncan‘s bio: “A member of the Glasgow SF Writers Circle, his first novel, VELLUM, won the Spectrum Award and was nominated for the Crawford, the BFS Award and the World Fantasy Award. As well as the sequel, INK, he has published a poetry collection, SONNETS FOR ORPHEUS, a stand-alone novella, ESCAPE FROM HELL!, and various short stories in magazines such as Fantasy, Strange Horizons and Interzone, and anthologies such as NOVA SCOTIA, LOGORRHEA, and PAPER CITIES.” In addition to discussing his theories on fiction as well as his work in general, he and I also discussed a musical recently produced that was written by him–and the experience of writing a screenplay. I always thank folks when they give me the honor of their valuable time, but I have to give Duncan an extra big thanks for the level of detail and consideration he gave to his answers.

Tim O’Shea: Your first novel, Vellum, was translated into several different languages. How much were you involved in that process? Can you think of any country where you were pleasantly surprised to find readers took strongly to the book?

Hal Duncan: With some of the translations I’ve had no involvement at all; with others there’s been a lot of back-and-forth. They’re not the easiest books in the world to translate by a long shot, I know; there’s all manner of poetic techniques, dialect, wordplay, even a mixture of mythical, historical, and alternate-history settings that means passing references could be authentic history or utterly spurious. I regard my translators with a mixture of shame at what I put them through and wonder at the fact they’re tackling it. So if there’s anything I can do to help, I’ll do it. It’s fascinating to see the process anyway.

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Matthew Sturges on Midwinter, The Office of Shadow

The Office of Shadow

Novelist and comics writer Matthew Sturges recently spared some time to discuss his 2009 novel, Midwinter (2009) and its sequel, The Office of Shadow, which was released in June by Pyr. The Office of Shadows is “a group of covert operatives given the tasks that can’t be done in the light of day … The new leader of the ‘Shadows’ is Silverdun. He’s the nobleman who fought alongside Mauritane at Sylvan and who helped complete a critical mission for the Seelie Queen Titania. His operatives include a beautiful but naïve sorceress who possesses awesome powers that she must restrain in order to survive and a soldier turned scholar whose research into new ways of magic could save the world, or end it.” Discussing the mechanics of Sturges’ approach to his novels made this interview quite enlightening for me.

Tim O’Shea: Do you still get a kick out of reading the Library Journal review of last year’s release, Midwinter, which included the line: “Joining Neil Gaiman in making the crossover from comics to prose fiction, Sturges represents a strong, new voice in fantasy.”?

Matthew Sturges: I’ll take any review that puts my name along with Neil Gaiman’s in the same sentence. I realize that it doesn’t create an actual equivalency, but it’s definitely a nice thing to read. It’s true, though, that there aren’t many writers who do both prose and comics. As far as being a “strong new voice in fantasy,” again I’ll take it, but it’s hard to feel “new” when I’m three months shy of forty.

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Evan Drake Howard on The Galilean Secret

The Galilean Secret

I am grateful to my parents for many gifts, but I rank my Catholic education/upbringing and intellectual curiosity as among some of the best. While Evan Howard, the author of The Galilean Secret (released last month), are not of the exact same religion (he is the pastor of the Community Church of Providence [Rhode Island), given that we are both Christians and that he is even more intellectually curious than myself (as well as the owner of a doctorate in theology from Boston University)–well it made for a great interview. In this email interview we discuss his novel–which is described as follows:

“When Karim Musalaha, a Palestinian on the run, seeks refuge in a forgotten cave near Qumran, he discovers a half-buried clay jar that contains a fragile scroll. His quest to discover its origins takes him on a high-speed chase through hostile Jerusalem and West Bank neighborhoods. Caught between his brother’s relentless ambition for martyrdom and the forbidden love of a Jewish woman with ties to the highest levels of the Israeli army, he must choose between honoring his father and betraying him to serve a higher purpose.

The scroll’s message also resonates with Judith of Jerusalem, a first century Jewish woman who, under the cover of darkness, gallops into the desert with the brother of the man she was betrothed to marry. When her allegiance to the burgeoning Zealot revolution pits her against the Roman occupiers and their priestly collaborators, Judith sees the cruelty of war and realizes her mistake. But is it too late for her to escape and find forgiveness? A letter written by a mysterious Galilean rabbi holds the answers, but the Romans have placed a price on his head. Should she risk her life for a rabbi she hardly knows, or risk her soul for a cause and a man whose beliefs she now rejects?

Bound by a letter that spans two millennia, both Karim and Judith will either succumb to hatred, violence and hopelessness, or reveal a wisdom that could save us all.”

I’m grateful to Howard for his valuable time and thoughts, as well as Kelly Hughes for facilitating the interview. Go here to read the first chapter.

Tim O’Shea: Tackling two plots with historical complexities in one book is fairly ambitious. How much revision/aggressive editing was involved in the pursuit of balancing the respective narratives and their unique pacing for both stories?

Evan Howard: The decision to include plots in two different time periods came about unexpectedly.  As a first-time novelist I didn’t plan to use this method because of the difficulties involved, but readers of an earlier version of the book (which I had self-published) expressed frustration that I hadn’t resolved what happened to Karim, the Palestinian student who appears in the first chapter, the action of which takes place in the present.  Since the rest of the novel happens in the time of Jesus, at first I resisted developing Karim’s story because I thought it would be a very complicated undertaking, but the more I thought about it, the more I saw that having two time periods and multiple plots could make the novel more multi-dimensional and increase its suspense.  This process required that I write fifteen new chapters and blend them with the historical material.  It took me about seven months to do this and involved a great deal of revising and editing along the way.  Once I entered into this process, I found it highly challenging but also a lot of fun—like working on a giant literary jigsaw puzzle.  Since there is a lot of action in both stories, the issue of pacing wasn’t a major problem.

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Depression & Genius: David Foster Wallace

I recently interviewed a creative talent who was kind enough to be painfully honest about his struggles with depression. For every person who successfully tackles depression, there are some folks who despite their best efforts (and various  attempts to support them, through counseling or medication or other forms of treatment)  fall victim to crippling depression and choose to end their life. This September it will be two years since the writer David Foster Wallace committed suicide after battling depression for more than 20 years.

I’m just one of many folks that respects Wallace’s intelligence and lament his passing. He gave a hell of a lot of himself on the written page.  I was recently reading his thoughts on life, which he boiled down into a commencement speech, (and which later became the 2009 book, This is Water). Consider this thought on page 48 of the book.

“Probably the most dangerous thing about an academic education, least in my own case, is that it enables my tendency to over-intellectualize stuff, to get lost in abstract thinking instead of simply paying attention to what’s going on in front of me.”

I have to mull that one over for awhile. I may need to hang it on my wall.

I really have nothing else to say, except that–hey, if you know me–and if you’re ever suicidal: Please don’t. I’ll miss you. That’s not an effort to be glib on my part. I hope that someone in my circle of friends remembers that I wrote this sentiment, when they’re feeling overwhelmed. And if you have someone in your life that battles depression, support them. It can be maddening for all parties involved at certain points, but it’s amazing what a little simple moment of caring can do. We can’t stop all suicides. That’s impossible. But maybe if we all pay attention to what’s going on in front of us, we might help someone that we might not otherwise note.

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Brad Meltzer on Heroes for My Son

Heroes for My Son

I’m of a firm opinion that Brad Meltzer is always writing, be it in his head or actually writing–or thinking about writing. Known for his numerous bestselling works of fiction, Heroes for My Son, is Meltzer’s first non-fiction book. Here is how the book (released May 11)  is described at the project’s blog: “When Brad Meltzer’s first son Jonas was born eight years ago, the bestselling writer and new father started compiling a list of heroes whose virtues and talents he wanted to share with his son. Abraham Lincoln, Rosa Parks, Jim Henson, Amelia Earhart, Mohammed Ali…and so many more, each one an ordinary person who was able to achieve the extraordinary. The list grew to include the fifty-two amazing people now gathered together in Heroes for My Son, a book that parents and their children—sons and daughters alike—can now enjoy together as they choose heroes of their own.” It’s been awhile since I’ve gotten a chance to interview Meltzer, the first time for this blog in fact, and I’m always happy when I get to pick Meltzer’s brain.

Tim O’Shea: Sometimes when folks make “best of” or ranking books of any kind, they have to brace for the readers who ask “why didn’t you include?”. Not only are you braced for it, in fact you are inviting folks to tell you about their heroes. This did not surprise me as you always have figured out ways to get your audience involved in your work. Two questions, are you enjoying getting people’s stories about heroes even more than you expected? When did you first decide it was a priority to get the audience so engaged?

Brad Meltzer: The idea of including a spot in the back of the book for people to include their own heroes solely came from my belief that there are heroes everywhere. I love that fact. And I want to hear more. Why not use the hive mind?

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Memoir: Norris Church Mailer’s A Ticket to the Circus

I have yet to get a hold of  the memoir to verify, but one has to imagine that the memoir of Norman Mailer’s final wife, Norris Church Mailer, makes for one heck of a read. Anyone that could stay married to a character like Mailer for more than 30 years clearly has a strength that must be read about.  Here’s a link to the book, A Ticket to the Circus. For those looking for more immediate insight into Church Mailer, here is a recent New York Times Magazine profile where she discusses the memoir.

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Nathan Walpow on His Writing, FourStory

Bad Developments

I learned about the writing of Nathan Walpow when interviewing Gary Phillips (over at Robot6 back in 2009). In addition to discussing his writing (including the recently serialized Bad Developments), Walpow and I touched upon FourStory (a housing advocacy site that supports “fair living conditions for everyone”). As detailed at FourStory: “Nathan Walpow’s Joe Portugal mystery series includes four novels; the latest is The Manipulated. His short story ‘Push Comes to Shove’ was reprinted in The Best American Mystery Stories series and he has a story and song in the recent book/CD combination A Merry Band of Murderers. Nathan is past president of the Southern California chapter of Mystery Writers of America and a five-time Jeopardy! champion.” My thanks to Walpow for the email interview (which took place in late February).

Tim O’Shea: Your first book was published when you were 50, how many years before then had you been pursuing professional writing?

Nathan Walpow: Eight or nine. I began writing in the early ’90s, when my acting non-career became too unbearable. I was idly leafing through the UCLA Extension catalogue one day, and came across the short story classes, and thought, Hmm, that sounds like it might be fun. I sold maybe seven or eight short stories, wrote one novel that I couldn’t sell and most of another that I couldn’t finish. Then someone said I should try a mystery, and I said why not, and there you are.

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For Your Consideration: The Lost Man Booker Prize

The Man Booker Prizes

Fellow literary nuts like myself have likely heard of the Booker Prizes. (Full disclosure, I was shocked to discover it’s actual name was the Man Booker Prizes).

Well it turns out there was a period in its earlier years, that the Prize did not award a prize for works done in 1970. Recently they decided to rectify that omission and created the Lost Man Booker Prize. While the folks behind the prize hoped to generate some interest and discussion, it’s fairly clear that they are even surprised by the level of response as noted here.

But for me, the most interesting aspect is that anyone of us can vote for who wins the prize. Here are the choices you need to consider:

  • The Birds on the Trees by Nina Bawden (Virago)
  • Troubles by J G Farrell (Phoenix House)
  • The Bay of Noon by Shirley Hazzard (Virago)
  • Fire From Heaven by Mary Renault (Arrow)
  • The Driver’s Seat by Muriel Spark (Penguin)
  • The Vivisector by Patrick White (Vintage)

Anything that gets folks engaged in literature is a good thing. I wonder if some other literary prize groups will see the furor and try to figure out a way to do something in a similar vein.

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Missed Last Week: Joe Sacco’s Playlist

Footnotes in Gaza

Footnotes in Gaza

Many folks may already be aware of it, but if you are not–Paper Cuts (the NY Times literature blog) features an author offering his or her musical playlist on a weekly basis, in its Living with Music feature. It’s a great concept that I look forward to reading every week.

I meant to mention this when it first appeared, but am now catching up on things. Graphic novelist/journalist Joe Sacco was featured last week–and I have to say I never would have pegged him for a Wings fan. Be sure to also look into Sacco’s latest work, Footnotes in Gaza.

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