Archive for category photography

Photographic History: The Lively Morgue

Oh my, the New York Times has created a Tumblr site that documents some of its old photos. Better than showing the photos themselves, it also documents the notations and edits on the backside of the picture. Consider this 1973 Joe Namath example.

Backside of a 1973 New York Times picture

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Appreciating the World Around Her: Susan Straight for KCET

Friend of the blog, novelist Susan Straight, recently made me aware of her biweekly feature (in conjunction with photographer Doug McCulloh) for KCET, in which she shares stories/slices of life pieces about Riverside, California. Here’s a snippet from this week’s installment:

But now Guasti is a startling contradiction in landscape, a convergence that happens over and over in Southern California. The road heads through CentreLake, an industrial park of buildings with white walls and blue glass that house for-profit colleges and businesses. And then, you see the Guasti Post Office, and an old brick schoolhouse, and across from there, one of the loveliest churches I’ve ever seen. Anywhere in the world.

 

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Radoslav Lorkovic on His Music

Radoslav Lorkovic

What keeps me coming back to Cayamo is the opportunity to discover different musicians. This past year, one of the new musicians I discovered was Ellis Paul. Part of Paul’s band was an incredible piano and accordion player Radoslav Lorkovic. Over the next several days of the cruise, Lorkovic also turned up jamming with several other musicians. I meant to conduct this interview immediately after the cruise, but life events delayed my intentions. I was glad to finally conduct the email interview this week. Be sure to visit Lorkovic’s Facebook page, as he is indeed an impressive photographer (as we discuss) in addition to his musical prowess. This interview includes a new Talking with Tim milestone, a musician quoting NFL legendary coach Vince Lombardi.

Tim O’Shea: You are currently touring with Ellis Paul, what attracted you to working with Ellis?

Radoslav Lorkovic: Ellis has been a great friend through the years.  Music is just a natural part of what is really a great ‘hang’  Being on stage is little different than having a drink at three AM in some ridiculous club laughing.  The music, however, is quite serious and precise. It is presented without out the baggage of seriousness.  He also plays everything in C sharp–for me the most difficult piano key.  It’s a massive exercise in a way.

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Baron Wolman on The Rolling Stone Years

Article first published as Interview: Photographer BaronWolman on The Rolling Stone Years on Blogcritics.

Baron Wolman: The Rolling Stone Years

Only one person can lay claim to being Rolling Stone magazine’s first chief photographer–and his name is Baron Wolman. From 1967 to 1970, Wolman captured some of the most iconic images of musicians that graced the magazine’s pages. This August marks the release of The Rolling Stone Years, a collection of Wolman’s photographs from those three years, described by publisher Omnibus Press as consisting of “many … images from the late sixties and early seventies [that] have become iconic shots from rock’s most fertile era.” In addition to his amazing photos, Wolman writes a substantial amount about the early days of the influential magazine as well as his experiences photographing musical greats of the late 1960s/early 1970s.

At one point in the book, you express your preference to shoot in natural light. What is the appeal of using that kind of light for your photos? 

Natural light is just that.  “Natural.”  Nothing artificial about it.  What you see in the photo is what I saw when I took the picture.  For the most part, flash disturbs the subject and ruins the intimacy of the moment…

What was more challenging to do, decide which pictures to run in the book or writing the text to accompany the pictures? 

Both were challenging in the best sense of the word, not to mention the locales where the challenge was met: Paris, Santa Fe, Bangkok.  I wanted to add some international “spice” to the process.

Some of your subjects died far too young, how hard was it to look at those pictures? 

Not easy, of course.  Wondering how their lives would have evolved had they had the opportunity, sad for such talent ended before it had a chance to soar, remembering the moments we shared.

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Places I Need to Visit Someday: Center for Creative Photography

Ansel Adams in the National Parks

I was recently reading the Ansel Adams in the National Parks book (released in 2010), and got curious to know who hosts his collection. It turns out that it is the University of Arizona’s Center for Creative Photography. I have never had an interest in visiting Arizona, but this knowledge might change my mind.

Apparently the center was co-founded by Adams, as noted by the site: “Famed American photographer Ansel Adams (1902–1984) co-founded the Center for Creative Photography in 1975. His was one of five inaugural archives, and it remains a cornerstone of the Center’s fine art and archival collections. Adams’s career spans seven decades and a wide range of subject matter, including portraits, still lifes, architecture, and the landscapes for which he is most famous. Viewers often associate his lifelong environmentalism and advocacy for America’s wilderness places with his dramatic, panoramic photographs that celebrate the redemptive potential of the natural world. Many of his best-known images were made in the American West, including a large group of works made in Yosemite Valley.”

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Captions That Crack Me Up: Slate/Magnum Photos’ Coney Island Piece

The captions (I think intentionally) in this Slate collection of Bruce Gilden/Magnum Photos (at Coney Island through the years) are written to amuse the reader. I only include one example, because each photo (and caption)  is a gem and worthy of closer examination.

OK, I get the guy exercising and the sunbather, but what exactly is the story for the guy in the middle? Not only is he wearing a jacket, but it appears he’s brought a sweater as well.

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Library of Congress Digital Archives: Cab Calloway (1947)

If you have never visited it before, you might enjoy exploring the digital collections from the Library of Congress. I recently discovered this in the William P. Gottlieb Collection.

William P. Gottlieb's 1947 Portrait of Cab Calloway

You have to love the caption from the publication, Down Beat, where this originally ran. “Down Beat: Dizzy may play be-bop, but Cab Calloway wears it. The king of hi-de-ho poses backstage at the Strand theater in his be-bop suit, much more conservative than his previous zoot costumes. It is blue serge, no drape, no shape, just a belt in the back, pearl buttons and a hunk of watch chain”

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Photo: Branch Rickey with His Grandson (1948)

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Cayamo 2011: Has It Already Been A Month?

Man, I am behind on doing my write-up about Cayamo 2011 (which ended less than a month ago)–and I realized how behind I was when I received the first notice today about planning for Cayamo 2012. No, I am not kidding. Part of my challenge is just trying to summarize the experience effectively. When you attend around 50 concerts in one week (out of the 120 concerts and jam sessions that occurred) you have a lot to describe. And my description cannot do it justice. So before embarking on my attempt, I will first suggest that you check out PASTE’s 10 Unforgettable Moments from Cayamo 2011 and Kim Ruehl’s recollections at No Depression as they are likely to be more insightful (I did take solace in Ruehl’s observation “Considering there are more than 125 shows scheduled for the week you’re on the music cruise, picking a Top 3 can be tough.”).

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Seth Kushner on CulturePOP

CulturePOP

It’s quite likely that you’ve seen the work of Seth Kushner, even if you don’t read CulturePOP, his series for ACT-I-VATE with Photocomix Profiles of Real-Life Characters. As noted in his ACT-I-VATE bio: “Seth Kushner’s photography work has appeared in such magazines as The New York Times Magazine, BusinessWeek, Newsweek, Time, L’Uomo Vogue, and in galleries around the world. His book, The Brooklynites, (powerHouse Books, 2007) was considered ‘a terrific coffee table photo/interview book’ by The New York Times. Aside from living out his dream of writing a graphic novel based on his Schmucky past, he is working on Leaping Tall Buildings, a book profiling NYC cartoonists. Seth also co-created and co-edits the comics journalism website, GRAPHIC NYC and directs videos, including the “promo-mentary” film, (co-directed by Carlos Molina) The ACT-I-VATE Experience. Seth was born, bred and currently lives in Brooklyn, NY, with his wife Terra, his son, Jackson, and way too many comics.” I love the range of topics/people that Kushner covers in CulturePOP–and I’m glad we got a chance to discuss the project.

Tim O’Shea: How do you go about selecting your subjects for CulturePOP?

Seth Kushner: My subjects have come from many places. Some are folks I’ve photographed previously (Gymnast Olga Karmansky,  Super Sucklord, Lisa Natoli) and relished the opportunity to explore them deeper, as this format allows for. Others were suggestions from co-curator, promoter and sometime editor Jeff Newelt (Douglas Rushkoff,  Carlos ‘Mare 139’ Rodriguez, Jonny Wilson of Eclectic Method, etc.) who is great at connecting interesting and creative folks. Dean Haspiel, who has been my editor on every piece, also suggested a few subjects (Jen Ferguson, Jennie Fisk,  and upcoming subjects Tim Hall and Cynthia Von Buhler). Finally, there are people I’ve been aware of and wanted to work with. (Rachel Kramer Bussel, Caits Meissner etc.).

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