Posts Tagged Jen Ferguson
It’s quite likely that you’ve seen the work of Seth Kushner, even if you don’t read CulturePOP, his series for ACT-I-VATE with Photocomix Profiles of Real-Life Characters. As noted in his ACT-I-VATE bio: “Seth Kushner’s photography work has appeared in such magazines as The New York Times Magazine, BusinessWeek, Newsweek, Time, L’Uomo Vogue, and in galleries around the world. His book, The Brooklynites, (powerHouse Books, 2007) was considered ‘a terrific coffee table photo/interview book’ by The New York Times. Aside from living out his dream of writing a graphic novel based on his Schmucky past, he is working on Leaping Tall Buildings, a book profiling NYC cartoonists. Seth also co-created and co-edits the comics journalism website, GRAPHIC NYC and directs videos, including the “promo-mentary” film, (co-directed by Carlos Molina) The ACT-I-VATE Experience. Seth was born, bred and currently lives in Brooklyn, NY, with his wife Terra, his son, Jackson, and way too many comics.” I love the range of topics/people that Kushner covers in CulturePOP–and I’m glad we got a chance to discuss the project.
Tim O’Shea: How do you go about selecting your subjects for CulturePOP?
Seth Kushner: My subjects have come from many places. Some are folks I’ve photographed previously (Gymnast Olga Karmansky, Super Sucklord, Lisa Natoli) and relished the opportunity to explore them deeper, as this format allows for. Others were suggestions from co-curator, promoter and sometime editor Jeff Newelt (Douglas Rushkoff, Carlos ‘Mare 139’ Rodriguez, Jonny Wilson of Eclectic Method, etc.) who is great at connecting interesting and creative folks. Dean Haspiel, who has been my editor on every piece, also suggested a few subjects (Jen Ferguson, Jennie Fisk, and upcoming subjects Tim Hall and Cynthia Von Buhler). Finally, there are people I’ve been aware of and wanted to work with. (Rachel Kramer Bussel, Caits Meissner etc.).
Coming up November 6 and 7 (plus special events the evenings of November 4 & 5), the Brooklyn Lyceum (located at 227 4th Ave at President) will host the KingCon II, an independent comic, animation and illustration convention. The cost will be $7 day/$10 weekend (kids: $3 day/$5 weekend). To get the scoop on the con, I recently email interviewed the con’s co-director Regan Jay Fishman. Also the Lyceum’s program director Eric Richmond was kind enough to chime in with in-depth details about the special panels on Thursday (November 4). My thanks to Fishman and Richmond for their time.
Tim O’Shea: This is the second year of King Con, expanded from two to four days. As noted in the comments section of the Beat’s coverage of the announcement, the venue will be warmer this year. What other improvements or changes (adding an Artist Alley, for example) have you made based on feedback from last year’s attendees?
Regan Jaye Fishman: We have added an Artist Alley! We have also removed some risers to make for more room downstairs, Made the panels fifty minutes instead of a full hour to allow for changeover time, signings will be in the mezzanine instead of upstairs and the con has been extended by 30 minutes each day so that panels aren’t STARTING the SECOND people walk in the door.
Also, I will not be sporting a constant expression of abject terror.
This Saturday, October 30, marks the opening of Monster Mash-Ups (check out this video preview of the project) at Brooklyn’s Bergen Street Comics, a “collaboration between Brooklyn artist Jen Ferguson and Chicagoland writer Tim Hall. A hilarious and bizarro series of oil paintings and large format prints, MONSTER MASH-UPS update the classic movie and literary monsters of yore, including Frankenstein’s monster, Dracula, the Wolfman, the Blob, the Mummy, and many more.” While I’ve interviewed Hall before, I had not had the pleasure of interviewing Ferguson. As noted at her website, Ferguson is “an emerging artist working in DUMBO Brooklyn, NY. Her focus is on epic & monumental oils, both architectural and figurative. She also is known for small delicate drawings and watercolors.” In addition to discussing the mash-ups, we discussed her art in general, as well as opening with getting background on her musical pursuits through the band, Cows Like Shrimp. I rarely get to discuss art and music in the same interview, so I appreciate Ferguson’s time.
Tim O’Shea: How long have you had the band, Cows Like Shrimp, and who else is in the band with you?
Jen Ferguson: Cows Like Shrimp is a band I’ve been playing bass in for about five years, on and off. Originally, we were called “The Seftones”, after Sefton Stallard, the lead singer and guitarist. Sefton, who I’ve know for almost 15 years, is the main driving force behind the band. In addition to myself and Sefton, we have a few drummers who rotate in and out depending on their availability, and strangely enough are both named “pete.” Lately we’ve added an additional guitarist, Doug Kennedy, so we’re a four piece playing original music. Since I work in the studio alone for many hours a day, it’s a nice chance to collaborate and do a form of art that’s social.